Cloud Microphones JRS-34 P
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Essential Information About the Cloud JRS-34-P Ribbon Microphone
Essential Information About the Cloud JRS-34-P Ribbon Microphone
- Handcrafted passive ribbon entirely handmade in the USA, designed for a musical and natural sound on vocals and instruments.
- Figure-8 polar pattern: captures front and back with excellent side rejection, ideal for stereo recording and bleed control.
- "Vintage-modern" ribbon sound: full bass (controllable proximity effect), rich mids, smooth and detailed highs without harshness.
- Typical passive ribbon output level: requires a high-gain preamp or inline gain booster (such as the Cloud Microphones Cloudlifter) to fully exploit its dynamics.
Manufacturer Information
Cloud Microphones
https://www.cloudmicrophones.com
support@cloudmicrophones.com
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Safety manager:
Mogar Music France
Email: info@mogarmusic.fr
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A Cloud Ribbon: The Passive Version Continuing the JRS Series
The JRS-34-P follows Cloud's philosophy: offering a ribbon microphone that combines the sought-after qualities of classic models (texture, smoothness, transient coherence) with more modern design choices to improve consistency and reliability in the studio. This is the passive version of the JRS-34-A: the difference between these two microphones lies in passive versus active design, which mainly impacts the output level and how the mic interacts with the preamplification chain.
With the JRS-34-P, you get the most authentic "ribbon" experience: a sensitive capture that rewards good acoustics and precise placement, while still being able to handle very loud sources.
Applications: Vocals, Guitars, Brass, Overheads, and Ambience
Thanks to its extended frequency response and figure-8 polar pattern, the JRS-34-P suits a wide range of recording situations. On vocals, it delivers a silkier brightness than a condenser mic, often appreciated for taming sibilance and smoothing harshness while retaining detail. On electric guitars, it excels at thickening the sound without harshness, especially when paired with a dynamic mic to blend attack and body.
On brass and woodwinds, the ribbon helps maintain solid presence without aggressive projection. For overheads or room mics, the figure-8 pattern allows you to leverage the room's acoustics (or conversely control what is rejected) by smartly orienting the mic's sides toward unwanted elements. Finally, for podcasting and spoken word, it can offer a premium signature, provided you have sufficient clean gain and a quiet environment.
Design and Performance: Ribbon Character with Today's Control
Ultra-thin Ribbon and Natural Transients
The heart of the JRS-34-P is a 1.8-micron ribbon, designed to respond delicately to micro-dynamic variations. The result: realistic transients, a tactile sensation in the mids, and a detailed but non-aggressive high end. This approach is especially relevant when you want a "mix-ready" capture that handles EQ well without becoming shrill.
Figure-8 Pattern: Soundstage Control and Proximity Effect
The figure-8 polar pattern captures equally from front and back: a major advantage for stereo techniques (Blumlein, Mid-Side) and spatial shaping. As with many ribbons, the proximity effect can be pronounced: move the mic closer for more low-mid density, or back off for more balance and openness. Managing mic distance thus becomes a true sound design tool.
Passive Output: Recommended Preamp and Best Practices
With a output sensitivity of -49 dBv / Pa, the JRS-34-P behaves like a traditional passive ribbon: for a comfortable signal, favor a high-gain, low-noise preamp or a suitable gain booster. In practice, this keeps vocals and instruments clean without excessive hiss and allows you to get the best out of the mic's dynamics. As a precaution, and as is common with passive ribbons, it is recommended to disable phantom power when not needed and use well-maintained XLR connectors.
Level Handling and Loud Sources
With a max SPL of 138 dB SPL and above (at 1 kHz), the JRS-34-P can approach many high-level sources. This opens the door to more creative placements on amps, percussion, or brass, while retaining the signature smooth high end typical of ribbons.
Rounded Magnet Technology and Internal Damping
The microphone incorporates patented rounded magnet technology and internal damping. These elements contribute to mechanical stability and a more controlled response with fewer unwanted resonances. In the studio, this translates to more consistent captures from session to session and a sense of "control" that facilitates mixing.
Technical specifications
| Frequency response - start | 20 Hz | Capsule | ribbon dynamic |
| Frequency response - end | 20 kHz | Connection | XLR |
| Category | studio microphone | Color | Black |
| Directivity | bidirectional | ||
| Transducer element | 1.8-micron ribbon | Max SPL | 138 dB SPL and above (at 1 kHz) |
| Ribbon element dimensions | 0.49 cm wide, 5.9 inches long, 1.8 microns thick | Magnet technology | rounded, patented |
| Frequency response | 20 Hz to over 20 kHz | Damping | internal |
| Output sensitivity | -49 dBv / Pa | Manufacturing | entirely handcrafted in the USA |
Questions frequently asked
Does the Cloud Microphones JRS-34 P require phantom power?
Its passive design does not require phantom power. It is recommended to disable phantom power when not needed and to use a high-quality XLR cable.
What preamp should be used with this passive ribbon microphone?
With an output sensitivity of -49 dBv/Pa, a low-noise preamp with high gain is recommended. An appropriate gain booster can also provide a more comfortable signal level.
What is the polar pattern of the JRS-34 P?
The bidirectional figure-8 pattern captures sound from the front and rear of the microphone while rejecting the sides. This configuration notably supports Blumlein and Mid-Side stereo techniques. The distance to the source strongly influences the low-mid range through the proximity effect.
Is this microphone suitable for guitar amps and brass instruments?
With a maximum SPL of 138 dB SPL and above at 1 kHz, this model can handle the high levels of an amp, brass instruments, or percussion. Its 1.8-micron ribbon delivers natural transients and detailed highs without harshness.
What connectivity and frequency response are offered?
The output is via XLR and the specified frequency response ranges from 20 Hz to 20 kHz.



