Combre Carre - REFLETS-couperin - Flûte et Piano
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Combre
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Summary of This Score
This piece for flute and piano fits into an accessible chamber music repertoire approach at the end of the 2nd cycle. It allows the instrumentalist to work on a centered sound, mastery of the line, intonation stability, and breath control within an engaging musical framework. The piano is not limited to a simple accompaniment: it fully participates in the construction of the discourse, inviting attention to coordination, transitions, and the quality of phrasing as a duo.
Carried by the universe of Gilles Carré, this score highlights the experience of a musician who is both composer and flutist. Born in 1956 in Geneva, he obtained a 1st Prize in transverse flute at the Conservatoire National de Région d'Aubervilliers, then the D.E. and C.A. teaching diplomas. Author of numerous chamber music works for various ensembles, he also participated in the ensemble S.I.C. (Situation: Interpretes et Compositeurs) from 1990 to 1993 and founded the group Rivages in 1999. His career as a pedagogue and performer, notably in contemporary repertoire, is reflected in precise writing that encourages rigor while leaving room for expressivity and subtlety of interpretation.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Gilles Carré | Genre | chamber music |
| Instrumentation | flute and piano | Difficulty | end of 2nd cycle |
Questions frequently asked
What level of flute is required for Reflets-couperin by Gilles Carré?
This score is suitable for the end of the 2nd cycle. It allows work on focused tone, musical line, and intonation stability.
What instrumentation is used for Reflets-couperin?
The work is written for flute and piano, within the chamber music repertoire.
Does the piano have an accompanying role in this piece?
The piano part fully participates in the construction of the musical discourse. Coordination between the two performers, cues, and common phrasing are part of the required work. Thus, the writing does not reduce the piano to merely an accompaniment function.
What technical aspects are addressed for the flute?
The work mainly focuses on breath control and mastery of the line. Intonation and the search for a centered tone are also emphasized.
Who is the composer of this score for flute and piano?
Gilles Carré, born in 1956 in Geneva, is a composer and flutist. His background includes a 1st Prize in transverse flute from the Conservatoire National de Région d’Aubervilliers, as well as the D.E. and C.A. teaching diplomas.



