DPA ST2011C

Key Information About the Beyerdynamic 2011C Compact Microphones

• Pair of compact microphones easy to position when space is limited (studio, set, stage).
• Very high acoustic pressure handling with a max SPL rated up to 146 dB, ideal for unpredictable sources and close miking.
• Precise cardioid directivity to better isolate the source and limit unwanted bleed.
• "Series 2000" signature: architecture with dual pre-polarized diaphragm and careful control of directivity and frequency response.

A "Series 2000" Approach Designed for Precision in Real Environments

The 2011C follows the logic of the Series 2000 capsules: offering compact microphones capable of remaining reliable in varied contexts, from studio to stage. The design is based on two diaphragms arranged in two miniature capsules facing each other, combined with interference tubes. This construction aims for finer control of directivity and a coherent frequency response, particularly useful when the source moves, when the acoustics change, or when the setup must remain discreet.

Who the Beyerdynamic 2011C Is For and Where It Excels

This set of 2 standard compact microphones is intended for sound engineers, musicians, and content creators who want a clean, controlled, and quick-to-deploy recording. Its small size facilitates placement very close to the source, where a larger microphone would interfere with the performance or camera. Thanks to its cardioid directivity, the 2011C is especially suited for environments where it is important to favor the direct signal (main source) and reduce ambient noise or neighboring instruments.

Its ability to handle high levels makes it a strong ally on dynamic and energetic sources: percussion, brass, amps, or any situation where levels can spike unexpectedly. In the studio, it is a relevant choice to multiply placements (close/support) while maintaining a minimal visual and physical footprint. On stage, it reassures with its headroom before saturation and its consistency when conditions become less "ideal".

Design and Performance: Compactness, Directivity, and High Pressure Handling

Dual diaphragm and directivity control

The dual pre-polarized diaphragm design combined with interference tubes is not meant to make "just another mic": it seeks to stabilize directivity and better manage how the microphone reacts to off-axis sounds. Practically, this helps achieve a clearer capture in a mix, with a source that remains well "anchored" even when the environment is busy.

Large headroom reserve for close miking

With a max SPL up to 146 dB and a dynamic range of 117 dB, the 2011C is built for close placements where acoustic pressure and transients quickly challenge a microphone. This headroom reserve allows working calmly without having to "over-protect" the recording, while still capturing the true energy of the instrument.

Studio compatibility: phantom power and easy integration

The 2011C operates on 48 V phantom power, making it immediately compatible with most audio interfaces, mic preamps, and consoles. Its compact format, matte black finish, and contained dimensions facilitate discreet integration into a modern recording setup, whether for tracking, live sessions, or audiovisual capture.

Technical specifications