Dunlop JIMI HENDRIX FUZZ FACE
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Dunlop Effects
https://www.jimdunlop.com
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A 1969-1970 Fuzz Face in the "Band of Gypsys" Spirit
The Fuzz Face is one of the foundational effects in electric guitar history. With Jimi Hendrix, it became an instrument in its own right: capable of exploding in harmonics, but also instantly calming down by lowering the guitar volume. The Dunlop Jimi Hendrix Fuzz Face JHF1 follows this tradition and targets the character of the 1969-1970 Dallas Arbiter Fuzz Faces, those that use BC108 silicon transistors. The result: a fuzz that is more direct, more stable, and often more incisive than germanium versions, while retaining that organic quality that responds to playing and touch.
If you're looking for a "vintage" feel without menus or modes, with the iconic large round enclosure and a totally musical approach, the JHF1 is designed as a machine for psychedelic riffs, burning solos, and controlled feedback.
For Whom, Which Styles, and In What Contexts?
The JHF1 is aimed at all guitarists, from the enthusiast discovering fuzz to the studio musician wanting an immediately recognizable tone. It excels in blues rock, classic rock, psychedelic, garage, and stoner genres, but it can also become a very expressive texture for more modern atmospheres, as soon as you work with the guitar volume and pick attack.
In live settings, it behaves like an "instrumental" fuzz: you can go from a smooth crunch to massive fuzz without touching the pedal, simply by playing harder or softer and adjusting the guitar's volume. In studio, it fits perfectly on an already slightly driven amp, or conversely on a very dynamic clean channel to capture all the granularity of the BC108.
Pedalboard tip: like many Fuzz Face-type fuzzes, it often performs best placed early in the chain (ideally just after the guitar), to preserve all its sensitivity and its ability to "clean up" via the volume knob.
Technical specifications
| Effects | Distortion / Overdrive / Fuzz, Fuzz | Number of tracks | 1 |
| Technology | Analog | EQ | No |
| Format | Pedal | Settings | volume, fuzz |
| Inputs | Jack | Use | guitar |
| Outputs | Jack | Color | Blue |
| True bypass | Yes | Power supply included | No |
| Switch | On/Off | Power supply | 9V battery |
| Number of effects | 1 | ||
Questions frequently asked
Does the Dunlop JHF1 operate with a mains power supply?
Power is supplied only by a 9 V battery, with no socket for an external adapter. Its consumption is 0.5 mA, or 500 µA.
What type of transistors does this Fuzz Face use?
The analog circuit uses BC108 silicon transistors, in the style of the 1969-1970 Dallas Arbiter Fuzz Face models. This setup delivers a fast attack and a sharper character in the upper frequency range.
Can the guitar's volume control clean up the sound?
The circuit response allows switching from a thick fuzz to a clearer crunch by lowering the guitar's volume potentiometer. This interaction is especially suited for guitars equipped with single-coil pickups.
Where should this fuzz be placed on a pedalboard?
Placing it early in the chain, right after the guitar, preserves playing dynamics and volume-cleaning capability. Input and output connections use 6.35 mm jacks.
What controls are available on the JHF1?
Two potentiometers are present: Fuzz adjusts the amount of saturation and Volume controls the output level. A footswitch On/Off activates the effect, with true bypass switching.
