Durand SAINT-SAENS C. - OEUVRES POUR PIANO - VOLUME I - PIANO
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Durand
https://www.durand-salabert-eschig.com
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Summary of This Score
This edition brings together a piano study program designed to reinforce fundamentals as well as advanced pianistic reflexes. You will find three complementary sets, allowing alternation between mechanical work (finger equality, speed, coordination), control exploration (dynamics, attacks, legato and staccato), and musicality consolidation within a demanding framework.
Separate titles: Six Études, Book 1 op. 52 - Six Études, Book 2 op. 111 - Six Études for the Left Hand Alone, op. 135
The value of this compilation lies in its ability to structure an effective routine: the first two books offer an ideal ground to build a reliable and homogeneous technique, while the collection for the left hand alone opens a particularly formative area of work (balance between voices, arm weight management, sustaining the melody, precision in leaps). It is a valuable resource for pianists wishing to deepen their discipline, enrich their touch palette, and gain confidence in both virtuosic passages and control details.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | Piano | Genre | Études for piano |
Questions frequently asked
What studies are included in Saint-Saëns Œuvres pour piano Volume I?
The collection includes the Six Études, Book 1 Op. 52, the Six Études, Book 2 Op. 111, and the Six Études for the left hand alone Op. 135.
Does this sheet music contain études for the left hand alone?
An entire section is dedicated to the left hand alone with the Six Études Op. 135. This work specifically targets voice balance, arm weight, and accuracy in interval jumps.
For which instrument is this edition written?
The indicated instrumentation is piano, in the genre of classical piano études.
What technical aspects are addressed in Études Op. 52 and Op. 111?
The two books of six études address finger equality, speed, and coordination. Control of dynamics, attacks, legato, and staccato are also key focus areas. Virtuosic passages and touch details can thus be further developed.
Do Saint-Saëns Études Op. 135 develop phrasing in the left hand?
Sustaining the melodic line is among the specific goals of the Six Études for the left hand alone Op. 135.
