Electrovoice RE520

An Electro-Voice Vocal Mic Designed for Demanding Contexts

The RE520 fits within Electro-Voice's approach to vocal microphones that are both precise and robust, intended for situations where clarity is a priority. Its design emphasizes control of unwanted noise (plosives, handling, vibrations) while maintaining the finesse typical of a condenser capsule. It is a relevant choice when looking for a vocal mic capable of staying clear in a busy environment, while offering a sufficiently extended response for clean recordings.

Intended Uses and Profiles

This microphone is aimed at singers, presenters, content creators, and sound technicians who want a condenser vocal microphone that is both sensitive and controllable. In concert, the supercardioid directivity helps gain isolation and intelligibility, especially on compact stages or with multiple close sources. In studio or home studio, it proves effective for modern vocals (pop, rock, metal, spoken word) when definition is desired without sacrificing handling of high sound pressure levels.

Key Features for Cleaner Vocal Capture

Supercardioid Directivity: Focus, Gain Before Feedback, and Limited Bleed

The RE520's supercardioid directivity is a tangible asset for keeping vocals front and center, with less pickup of monitors and surrounding instruments. This characteristic contributes to better separation in the mix and can facilitate equalization work, especially live. To optimize results, simply position the microphone on axis with the voice and consider the rejection zones typical of this directivity pattern.

Integrated Pop Filter and Internal Suspension: Less Mechanical Noise

The integrated multi-layer pop filter helps reduce plosives (the "p", "b" sounds) without necessarily requiring an external accessory. The capsule's internal suspension, combined with a design focused on reducing handling noise, provides a more stable, cleaner, and more professional capture, especially during performances or when the artist holds the microphone.

Switchable Low-Cut Filter: Control of Low End and Proximity Effect

The switchable low-cut filter is convenient for instantly adapting the microphone to the context: very close vocals, vibrating stage, transmitted mic stand noise, or simply the need to lighten the low end to make room for bass and kick drum. It is also a quick solution to limit low-frequency hum before processing and improve mixing comfort.

High SPL Handling: Comfortable Headroom for Powerful Vocals

With a high maximum sound pressure level, the RE520 easily handles projected vocals and energetic styles. This headroom helps maintain a clean capture, with less risk of saturation at the source, and greater peace of mind when the performance dynamics vary greatly.

Technical specifications