Ferrofish PULSE 16

A Converter Designed for Modern Rigs: Density, Precision, and Stability

In an environment where synths, preamps, compressors, and external effects multiply, a reliable multichannel converter becomes the backbone of the studio. This model focuses on an "all-in-one" approach: many inputs/outputs, conversion up to 96 kHz across all channels, and fine level control so each device finds its place in the audio chain without compromise. The goal is clear: centralize your analog I/O while maintaining solid synchronization and immediate control ergonomics thanks to the front panel displays.

Who Is This Converter For, and In Which Applications Does It Make a Difference?

This converter is aimed at advanced home studios, production studios, broadcast control rooms, and live setups that need many analog channels while keeping clean wiring and controlled latency (latency depending on your interface/computer, with the converter handling conversion and channel distribution). It is particularly well suited to expand an audio interface via ADAT, add an I/O patch for outboard gear, or serve as a central hub for multiple sources (stereo synths, drum machines, effects returns, stems). The 1 dB steps also allow easy level matching between consumer and professional gear, without patchwork or headroom loss.

Key Features: Calibrated Levels, Studio Connectivity, and Front Panel Control

Level Adjustments in 1 dB Steps: Real Integration Comfort

Each analog channel benefits from switchable input gain and switchable output level in 1 dB increments, from -8 dBu to +20 dBu. Practically, you can precisely calibrate your chains: avoid overdriving a sensitive vintage compressor, optimize the level of a too-quiet synth, or harmonize levels across multiple devices to save time during mixing. This granularity also facilitates recalls and consistent gain staging in complex sessions.

Clock and Stability: Active Jitter Reduction

The quality of conversion depends not only on resolution: clock stability and jitter management influence transient accuracy and spatial perception. Here, an active jitter reduction circuit contributes to a more stable reproduction, useful when stacking many tracks, working at 96 kHz, or synchronizing multiple elements via Wordclock.

Studio Ergonomics: Dual TFT Displays, Fanless, 19-inch Rack

The front panel emphasizes immediate control with two TFT screens dedicated to levels and parameters, offering a clear overview of signals and settings. The fanless operation is an asset for booth recordings or racks near the listening area: less mechanical noise, more comfort. Finally, the 19-inch 1U format maximizes rack density without sacrificing readability.

Technical specifications