Gibson Custom Les Paul Goldtop 1956 Reissue Ultra Light Aged Double Gold Cs Mlc
Estimated Shipping Widget will be displayed here!
- This item is covered for 100 years
Couldn't load pickup availability
Information
Information
Manufacturer Information
Gibson custom
https://www.gibson.com
Service.Europe@gibson.com
------------------------
Safety manager:
Gibson Europe B.V.
Email: Service.Europe@gibson.com
Address:
A Top-of-the-Line "Pre-Humbucker" Goldtop from the Custom Shop
This 1956 Les Paul Goldtop Reissue is part of the most sought-after reissues from the Gibson Custom Shop, recreating the "pre-humbucker" era with masterful precision. The year 1956 holds a special place in Les Paul history: it marks the meeting of the raw, singing character of the P-90s with the decisive addition of an adjustable ABR-1 bridge, designed to refine intonation and stability.
The Double Gold finish enhances this iconic look, while the Murphy Lab work aims to deliver a vintage instrument sensation that feels "preciously preserved": the aesthetic gains depth, and the lacquer's feel becomes more organic and immediate.
For Which Guitarists and Styles
This Gibson Custom is primarily aimed at intermediate to advanced musicians, as well as enthusiasts seeking a Les Paul with character, ultra-expressive, and ready to handle both pick playing and finger attacks. The '50s-style neck profile and "historical reissue" philosophy favor full, stable sensations with a true presence under the left hand.
Regarding styles, the Les Paul + P-90 combination is a formidable weapon for blues, rock, classic rock, soul, and anything requiring grit, dynamics, and excellent nuance translation. In short, you get a broad and punchy sound; in crunch, the guitar responds with bite; and as soon as you push the amp, the P-90s deliver that famous gritty, lively drive, always clear in the mix.
"Wood + P-90" Tonality: Dynamic, Grit, and Sustain
The tonal recipe is based on very "Les Paul" fundamentals: a one-piece lightweight mahogany back and a two-piece maple top. The mahogany adds density in the low mids and a sense of roundness, while the maple provides attack, precision, and that brightness that helps the sound cut through the mix. The absence of weight relief contributes to a full, stable feel with projection that remains solid even at low volume.
Careful construction also plays a major role: the neck/body joint with a long tenon and hide glue promotes vibration transfer. The result is a guitar very responsive to touch, capable of moving from an articulated clean to a rich crunch simply by adjusting attack and volume controls.
The custom Soapbar P-90 pickups bridge clarity and roughness. They have more "bite" and presence in the upper mids than many humbuckers, while maintaining a generous body. The 3-position selector allows switching from a round, velvety neck tone to a more aggressive bridge tone, with an ideal middle position for open rhythms and slightly scooped sounds.
Finally, the Murphy Lab aged nitrocellulose lacquer and Ultra Light Aged patina are not just about aesthetics: the feel is more "satin," and the instrument immediately gives a sense of familiarity, as if playing comes naturally, without resistance.
Recommended Compatible Accessories
To respect the original setup, a set of electric strings with gauges 010-046 is perfectly suited (gauge indicated for this model). This offers an excellent balance between tuning stability, bending comfort, and crisp attack, particularly relevant for exploiting the dynamics of the P-90s.
Technical specifications
| Category | Single cut | Scalloped | Simple |
| Left handed | No | Bridge / tailpiece | Fixed |
| Strings | Steel | Color | Yellow |
| Nbr of strings | 6 | ||
| Type | solid body electric guitar, Les Paul format | Nut material | nylon |
| Shape | Les Paul | Width at fingerboard end | 2.24" / 56.89 mm |
| Back | one-piece lightweight mahogany | Bridge | ABR-1 without wire |
| Top | two-piece maple, fitted with hide glue | Bridge material | nickel-plated brass |
| Binding | single-ply Royalite | Tailpiece | lightweight aluminum |
| Finish | Murphy Lab Aged Nitrocellulose Lacquer | Knobs | Top Hats Butyrate Gold |
| Weight relief | none | Control finish | brown Royalite |
| Material | mahogany | Pickup selector knob | Amber Catalin |
| Neck/body joint | long tenon with hide glue | Pickup selector ring | cellulose acetate butyrate replica |
| Profile | 50s Rounded Medium C | Output jack plate | laminated cellulose acetate butyrate |
| Scale length | 24.75" / 628.65 mm | Pickguard | cellulose acetate butyrate replica |
| Fingerboard | Indian rosewood | Pickup covers | cream Soapbar |
| Radius | 12.0" / 304.8 mm | Strap buttons | aluminum |
| Number of frets | 22 | Tuners | Kluson single line, single frame |
| Frets | narrow/tall authentic Gibson | Tuner plating | nickel |
| Inlays | aged nitrocellulose trapezoids | Truss rod | authentic 1950s No-Tube |
| Nut width | 1.69" / 42.85 mm | Truss rod cover | authentic 2-ply stepped |



