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Jazzmaster Signature J Mascis LRL Vintage White

Jazzmaster Signature J Mascis LRL Vintage White

Regular price 529,00 €VAT incl.
0,90 € Ecotax included
Sale price
0,90 € Ecotax included
Regular price Reference price

A Signature Jazzmaster Designed for the Stage and J Mascis's Sonic Identity

With this Squier J Mascis Jazzmaster, the brand offers a version inspired by one of the most influential alternative rock guitarists. All the Jazzmaster spirit is here (offset body, floating vibrato, Lead/Rhythm circuits), but with a performance-oriented approach: immediate playability, jumbo frets, and an ideal balance between vintage character and modern efficiency.

Who This Jazzmaster Is For and Which Styles It Suits

This electric guitar is an excellent choice for intermediate to advanced guitarists seeking an expressive and stable offset, but it remains accessible to a motivated beginner looking for an inspiring instrument. It thrives in alternative rock, indie, noise, garage, shoegaze, and pop, while maintaining enough versatility for clearer, more articulate tones thanks to its single-coil pickups.

The Sound

The combination of a basswood body and single-coil Jazzmaster pickups delivers a full and responsive sound, with sharp attacks, a nice presence in the upper mids, and sufficiently rounded lows to handle effects. The dual Lead/Rhythm circuit allows switching from a main setting (Lead) to a darker, more muted register (Rhythm), useful for varying textures in clean or overdriven playing. The Adjusto-Matic bridge paired with the vintage-style floating vibrato ensures good tuning stability and solid sustain, while preserving the characteristic Jazzmaster modulations.

Recommended Compatible Accessories

To stay true to the original specifications, opt for a set of nickel-plated electric strings in gauge 009-042. For connection, a 6.35 mm instrument jack cable is compatible with standard electric guitar use.

Technical specifications

Electronics: microphone configurationSSBodyLinden
CategoryAsymmetricBridge / tailpieceTremolo
Left handedNoElectronicsPassive
StringsSteelColorWhite
Nbr of strings6FinishingGlossy
FingerboardLaurelHardwareChromed
Nbrs of frets21
Body ShapeJazzmasterTruss RodHead Adjust
MaterialbasswoodTruss Rod Wrench4 mm Hex (Allen)
Body Finishglossy urethaneHardware Finishchrome
Neck MaterialmaplePickguardsingle-ply gold anodized aluminum
Neck Finishglossy urethaneControl Knobsaged white plastic
Neck Shape"C"TunersVintage-Style
Fingerboard InlaysWhite DotBridgeAdjusto-Matic Bridge with Vintage Style "Floating" Tremolo Tailpiece
Radius9.5" / 241 mmConfigurationSS
Radius TypeModernPickup TypeVintage-Style
Number of Frets21Neck PickupSingle-Coil Jazzmaster
Fret SizejumboBridge PickupSingle-Coil Jazzmaster
Nutwhite PPSPickup ConfigurationSS
Nut Width42.5 mm / 1.675"Pickup Selector3-position switch (Position 1: bridge pickup, Position 2: bridge and neck pickups, Position 3: neck pickup - main circuit), 2-position slider (Up: main tone circuit, Down: rhythm tone circuit)
Scale Length25.5" / 648 mmSpecial Electronicsupper and lower volume and tone control circuits

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

Customers praised this guitar's exceptional quality and beautiful vintage aesthetic. Reviews highlighted "magnificent sound," powerful P90 pickups, and comfortable satin neck. Most found it rivals more expensive models. Minor concerns: vibrato arm looseness and occasional string buzzing requiring setup adjustments.

Review highlights

  • “Beautiful and sounds marvelous”
  • “More expensive guitars can envy its qualities”
  • “Super balanced guitar, super comfort, I love the satin neck”

Based on 26 reviews

  • 3 stars, 0 reviews
  • 2 stars, 0 reviews
  • 1 star, 0 reviews

  1. Fluolive

    First impression: lightness and quality. The guitar is magnificent, the knobs and switches are very qualitative. Coming from a Hohner LP75, the sound seems great with a lot more sustain and presence at all levels. The variety of possible settings is really interesting and the range of possible sounds seems enormous.
    The color of the handle on the back side is surprising, almost orange. The matte finish is very pleasant, as is the shape.
    Surprisingly, the vibrato shaft just sinks in, there is no thread, so it tends to wobble as soon as you use it, or even completely out of place if you are not careful.
    At the original setting level, I have the impression that an adjustment would do him good: the action is low but it is a bit creepy. I also tend to push the E strings out of the fingerboard: maybe it's an edge effect of the jumbo frets? Maybe I'm pressing too hard.
    In any case there is something about this guitar that makes you want to go back all the time. Plus she's crazy.

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  2. Fluolive

    First impression: lightness and quality. The guitar is magnificent, the knobs and switches are very qualitative. Coming from a Hohner LP75, the sound seems great with a lot more sustain and presence at all levels. The variety of possible settings is really interesting and the range of possible sounds seems enormous.
    The color of the handle on the back side is surprising, almost orange. The matte finish is very pleasant, as is the shape.
    Surprisingly, the vibrato shaft just sinks in, no threads, so it has a tendency to dangle as soon as it is used, or even completely out of place if you are not careful.
    At the original setting level, I feel like an adjustment would do him good: the action is low but it's a bit creepy. I also tend to push the E strings out of the fingerboard: maybe it's an edge effect of the jumbo frets? Maybe I'm pressing too hard.
    In any case, there is something about this guitar that makes you want to go back to it all the time. Plus she's crazy.

    Automatically translated

  3. Fred L.

    Received today and not disappointed... I had been looking for information on this guitar on the net for a long time (test + video) and this is exactly what I was looking for.

    A super balanced guitar, super comfortable playing (I love the satin neck), very cool jumbo frets... Finish: nothing to complain about (compared to the US or Mexican ones, I don't see a big difference honestly)... I love the look (in fact, it's less gold for the pickguard... Rather bronze in real life)...

    The sound.

    First, the\ "jazz\” position, excellent: soft, warm, round sound... Ideal for calming the beast... A mention on the tone knob, which even when pushed to the limit gives a usable sound (and not completely muffled and unusable).

    The other positions: immediately, it attacks a lot... It crunches quickly while remaining well defined... Big resonance, a very thick sound... In short, ideal for sending! On the other hand, if you are looking for a chiselled sound for metal, the vibrations behind the bridge will dirty your sound (but I like it; -)!!!)...

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  4. Olivier G.

    Great and superb guitar!!!
    Fans of Shoegaze, My Bloody Valentine, Sonic Youth and Cure you will find what you are looking for! But not only...
    A beautiful clear sound that crunches and is terrifying with a fuzz;)
    The various settings allow for a multitude of sounds. The pickups are single coils that sound like doubles but good with the Fender not Gibson sound.
    Jay Mascis did a good job: pickups, Adjusto-matic bridge (change is practically mandatory on all Jazzmaster series because the jump strings), vintage white paint, aluminum gold plate, vintage microphone cover and buttons, vintage microphone cover and buttons, satin neck.
    A very rare value for money for a Squier, but yes it is a Squier but it seems like a Fender.

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  5. Olivier G.

    Great and superb guitar!!!
    Fans of Shoegaze, My Bloody Valentine, Sonic Youth and Cure you will find what you are looking for! But not only...
    A beautiful clear sound that crunches and is terrifying with a fuzz;)
    The various settings allow for a multitude of sounds. The pickups are single coils that sound like doubles but good with the Fender not Gibson sound.
    Jay Mascis did a good job: pickups, Adjusto-matic bridge (change is practically mandatory on all Jazzmaster series because the jump strings), vintage white paint, aluminum gold plate, vintage microphone cover and buttons, vintage microphone cover and buttons, satin neck.
    A very rare value for money for a Squier, but yes it is a Squier but it seems like a Fender.

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