Hal Leonard Duschenes Mario - Method For The Recorder Part 2 - Flute A Bec Alto & Basse
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Summary of This Method
Recorder Method - Part 2
Recorder method
This recorder method (Part 2) is aimed at players who wish to develop a more confident and expressive practice on the alto recorder and bass recorder (instruments in F). By advancing in repertoire and technique specific to these ranges, it helps strengthen reading, sound stability, and playing precision, while maintaining an accessible progression logic.
The proposed work aims to establish good habits: breath and attack control, clear articulation, rhythmic regularity, and phrasing construction. On alto and bass, managing the air column and balancing dynamics quickly become central: this method supports these essential points and helps gain comfort, whether in lessons, ensembles, or individual practice.
Part of the "Recorder Method" series, it is an excellent choice for students and musicians seeking a progressive method dedicated to recorders in F, with a clear presentation and a path designed to anchor fundamentals while expanding musical possibilities page by page.
Technical specifications
| Publication | Methods | ||
| Composer | Mario Duschenes | Collection | Recorder Method |
| Publisher | Associated | Genre | Instrumental method |
| Instrumentation | Alto and bass recorders (in F) | ||
Questions frequently asked
Is this method suitable for the alto recorder?
The book is designed for alto recorders in F and develops reading, breath control, as well as articulation.
Can this method be used with a bass recorder?
The bass recorder in F is included in the instrumentation specified for this Part 2.
What level is targeted by Recorder Method Part 2 by Mario Duschenes?
This second part is intended for players wishing to consolidate their practice of the alto or bass recorder. The progression focuses on tone stability and rhythmic accuracy. Phrasing and dynamics work accompany the expansion of the repertoire.
What technical aspects are worked on in this recorder method?
The content addresses air column control, attack, and rhythmic regularity. Attention is given to clear articulation and phrasing construction on F instruments.
To which collection does the method for alto and bass in F belong?
This instrumental method is published in the "Recorder Method" collection and is attributed to Mario Duschenes, in Associated edition.
