Heugel Vivaldi A. / Sanvoisin M. - Concertos Vol.1 - Flute A Bec Seule
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Summary of This Score
This collection brings together six concertos for recorder, divided into two complementary parts. For the sopranino recorder, you will find: Concerto in A minor P.83, Concerto in C major P.79, and Concerto in C major P.78. For the alto recorder, the selection includes: Concerto in C minor P.440, Concerto in A minor P.77, and Concerto in G major.
Designed to enrich the recorder repertoire, this score highlights the typical contrasts of concerto writing: alternation of virtuosic passages and more lyrical lines, work on dynamics, rhythmic precision, and phrasing. The variety of keys (major and minor modes) allows exploration of diverse characters and refinement of intonation mastery, especially in the more demanding registers of the sopranino. A particularly interesting choice for recorder players wishing to build a coherent program, progress in long forms, and strengthen their musicality in a concerto context.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | sopranino recorder, alto recorder | Genre | score, concertos for recorder |
Questions frequently asked
Which concertos are included for the sopranino recorder?
The sopranino part includes the Concertos in A minor P.83, C major P.79, and C major P.78.
Is the alto recorder included in this collection?
The collection features a selection for alto recorder, including the Concerto in C minor P.440, the Concerto in A minor P.77, and a Concerto in G major.
How many concertos does Concertos Vol.1 for solo recorder contain?
The collection comprises six concertos in total, split between three pieces for sopranino and three pieces for alto. The keys alternate between major and minor, allowing exploration of various concertante writing styles.
Which keys are featured in these Vivaldi concertos?
The references P.83, P.440, and P.77 are respectively in A minor, C minor, and A minor, while P.79 and P.78 are in C major; one concerto is in G major.
Does this score develop virtuosity for the recorder?
The writing of the six concertos alternates virtuosic passages with more lyrical lines, focusing on rhythmic precision, dynamics, and intonation, particularly on the sopranino.
