Hohner FUN PRO 120B MATTE BLACK

A "large format" model in the Fun Pro series: the natural evolution after the 96 bass

In an accordionist's progression, moving from a 96-bass instrument to a 120-bass often represents a decisive step: gaining range, playing comfort, and accompaniment options. Presented as the "big brother of the Fun Pro 96", this model from the Fun Pro series is aimed at those who want to keep an instrument oriented toward learning and regular practice, while accessing a more complete format, particularly appreciated in accordion classes and advanced curricula.

The increase in size related to the number of basses allows for an extended range and a more confident approach to pieces requiring a wider right hand and more varied chord progressions. This is typically the kind of accordion that supports a level upgrade without forcing an immediate change in the instrument's philosophy.

For whom and for what: an accordion designed for advanced levels and serious study

This Fun Pro is primarily intended for intermediate to advanced accordionists, music school students, and anyone who feels the limitations of a more compact format. With its 120 basses and right hand keyboard with 70 keys / 53 notes, it offers a broader playground to work on repertoire, dynamics, and registrations, whether in musette, pop, competition repertoire, or more modern arrangements.

Its weight of 9.2 kg and dimensions remain consistent for an instrument in this category: stable enough to play seated or standing with good straps, while still portable for lessons, rehearsals, and performances. It's a relevant choice if you're looking for an accordion capable of supporting regular practice, with a richer sound palette than an entry-level study model.

Voices, registers, and design: everything to work on sound, projection, and versatility

An expressive right hand: 3 voices and 6 registers

The right hand offers 3 voices and 6 registers, an important asset to refine your interpretation. The registers allow you to modify the combination of voices used, enabling quick shifts from one timbre to another depending on the style played. In practice, this helps build a sonic identity, manage contrasts between verses and choruses, and better meet pedagogical requirements (work on timbre, articulation, and dynamics).

With 70 keys for 53 notes, the right hand benefits from a more comfortable range, particularly useful when scores climb into the high register or require wider positions. This point is often decisive for advanced levels, as it avoids "circumventing" certain musical phrases and makes playing more natural.

A solid left hand: 120 basses, 4 voices, and 3 registers

The left hand features 120 basses with 4 voices and 3 registers, which promotes a fuller accompaniment better adapted to nuances. For the accordionist, this translates into a more consistent rhythmic base, better harmonic support, and an increased ability to vary accompaniment without losing stability, especially on pieces alternating walking bass, "pompes," off-beats, or more orchestrated accompaniments.

Rows and "Musique Durall": a practice-oriented configuration

The right hand is announced with 4 rows, a configuration appreciated for its logical playing layout and continuity in learning, particularly in structured pathways. The mention "Musique: Durall" is part of the equipment details communicated for this model and fits within the overall goal: to offer a coherent instrument designed to support the accordionist over time.

Resonance box: projection and presence

The presence of a resonance box contributes to sound projection and the instrument's response feel. For the musician, this affects the perception of dynamics and how the accordion "carries" in a lesson room, rehearsal space, or small stage area. It also helps better hear touch nuances and bellows pressure variations, essential elements when working on musicality.

Technical specifications