Korg FSUP-p-mbk - Fisa Suprema Piano

Italian Design Serving a New Generation of Digital Accordions

The FISA Suprema embodies the fusion of traditional accordion DNA with the possibilities offered by digital technology. Designed by the KORG team based in Italy, close to accordion culture, it carefully considers ergonomics down to the size and positioning of the buttons, while offering a particularly ambitious sound architecture. The goal is clear: to retain the familiar feel of a chromatic 120-bass accordion while gaining versatility, preset recall, and stage comfort.

For Which Accordionists? Stage, Studio, Rehearsal, and a "Limitless" Repertoire

The KORG FISA Suprema (button version) targets musicians who want to cover multiple styles with a single instrument: musette, pop, world music, orchestral repertoire, as well as organ and synth tones. Thanks to its large user memory capacity (600) and numerous registers, it is suitable both for concerts where pieces are played back-to-back without pause and for work sessions where settings are refined. The built-in amplification allows easy autonomous playing, while USB/MIDI connections facilitate integration into a modern setup.

A Customizable Instrument Designed for Expression

The Accordion Sound, Finely Adjustable

With 45 accordion types, the FISA Suprema covers a variety of sound signatures. It allows deep customization: choice of reed types and combinations, placement inside or outside the cassotto (resonance chamber), tuning adjustment, management of mechanical noises, and "growl" character. It is even possible to "age" the sound to achieve a more seasoned tone, closely matching your musical identity.

Scenes, Registers, and Controllers: A True Performance Logic

The FISA Suprema is designed to be played as a living instrument, not just a simple module. The registers structure access to sounds, and the scenes allow quick recall of combinations, layering, and parameters. Control goes further with assignable commands: chin rest, master bar, touch ribbon, and gyroscopic sensor to influence sound through gesture. This approach makes the accordion particularly expressive, especially for orchestral layers, synth textures, or organ timbres.

Organ, Orchestra, Synth, and Drums: A Very Wide Palette

Beyond the accordion, the FISA Suprema includes sound families designed to expand the repertoire: orchestral sounds assignable to registers, Soloist section, synthesis sounds, and drum kits. Organ types include Tone Wheel models, Transistor (Farfisa, Vox), as well as Pipe variations, offering colors immediately usable live. To shape the output, the instrument offers a complete effects chain including reverb, delay, and master EQ, as well as multi-effects per part, not forgetting dedicated organ treatments (rotation, vibrato/chorus, overdrive).

Autonomy, Audio Playback, and Everyday Comfort

Designed to accompany musicians over time, the FISA Suprema operates on an AC adapter (DC 9 V) or on a rechargeable battery with over 9 hours of announced autonomy. It also features an audio player compatible with MP3 and WAV, useful for working with playbacks, preparing a set, or rehearsing efficiently. Delivered with straps and a soft case, it aims for practical use, from transport to setup.

Technical specifications

Cover included	Yes	Amplification	112 W
Number of effects	17	Number of sounds	533
Controller	Gyroscopic sensor, Tactile tape, masterbarcontrol, Chin Switch	Key format	piano
User memories number	600	Aftertouch	Yes
Max polyphony	320	Player	MP3, WAV
Velocity sensitive	Yes	Inputs	USB, MIDI
Category	Digital	Outputs	headphone, jack, USB, MIDI
Number of basses	5	Color	Black
Number of melody ranks	9	Power supply	AC Adapter (DC 9 V), Lithium-Ion rechargeable battery
Number of registers	28	Display	LCD
Number of bass buttons	120	Weight	10.6 kg
Number of right-hand buttons	41	Dimensions (mm)	542 x 408 x 289
Type of accordion	Chromatic

Accordion type	Chromatic	Accordion types	45
User memories	600	Registers	14 for treble, 7 for bass/chords, 7 for free bass
Sound generator	Advanced T2L engine	Treble timbres	16', 16'-, 8', 8'-, 8'+, 4', 5' 1/3, 2' 2/3
Number of right-hand keys	92	Bass timbres	16', 8', 8-4', 4', 2'
Number of bass keys	120	Chord timbres	16', 8', 8-4', 4', 2'
Number of melody choirs	9	Free bass timbres	8', 4', 2'