Jobert Komives - Catéchisme De Nuit - Soprano et Orchestre
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Jobert
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Summary of This Score
This score by Janos Komives belongs to the field of contemporary music and features a soprano soloist accompanied by orchestra. The voice holds a central position, with a writing style designed to exploit the color, range, and flexibility of the timbre, while requiring great mastery of intonation and phrasing. The orchestra is not limited to simple harmonic support: it actively participates in the musical discourse, creates texture contrasts, offers instrumental responses, and establishes atmospheres that structure the listening experience.
Intended for both rehearsal work and concert performance, this score is a relevant resource for sopranos wishing to approach or deepen their understanding of contemporary repertoire with orchestra. It is also suitable for conductors and ensembles seeking a work that stimulates voice-orchestra balance, attack precision, dynamic management, and articulation of transitions. In an educational context, it can serve as a basis for in-depth work on coordination, breathing, interval tuning, and expressive coherence between soloist and sections.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Janos Komives | Genre | contemporary score |
| Instrumentation | soprano and orchestra | Year of publication | 2000 |
Questions frequently asked
What is the instrumentation of this score?
The work is written for soprano soloist and orchestra.
Is Catéchisme De Nuit a contemporary music piece?
This score by Janos Komives belongs to the contemporary repertoire. The orchestra contributes to the musical discourse through contrasting textures and instrumental responses.
What vocal level does Catéchisme De Nuit require for soprano and orchestra?
The soprano writing demands great mastery of intonation and phrasing. The color, range, and flexibility of the timbre are required. Accuracy of intervals and breath control are key focus areas.
What is the year of publication?
The publication is dated 2000.
Can this score be used for working with an orchestra?
For rehearsals, it allows addressing the balance between the solo voice and the sections. The precision of attacks, dynamics, and transitions are key setup points.
