Kung Studio Tenor Maple 1502
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- This item is covered for 3 years
Essential Information About the STUDIO Tenor Recorder
Essential Information About the STUDIO Tenor Recorder
- Warm sound : a round tone that naturally blends with other recorders, ideal for consort playing.
- Deep timbre : expressive low register, perfect for adding body to an ensemble.
- Careful ergonomics : finger holes designed for a comfortable and stable grip.
- "Ensemble playing" purpose : equally comfortable as a middle voice or as the first voice in a low-pitched quartet.
Manufacturer Information
Kung
https://www.kueng-blockfloeten.ch
info@kueng-blockfloeten.ch
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Safety manager:
KĂŒng Europe
Email: info@kueng-blockfloeten.ch
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A Tenor Recorder Designed for Ensemble Music
Within the recorder family, the tenor holds a particularly musical position: it connects the melody of the upper voices (soprano/alto) to the harmonic foundation of the larger models (bass/contrabass). The STUDIO tenor recorder embodies this "ensemble" spirit with a sound described as warm and easy to blend with other instruments of the same family. Its growing popularity is simply explained: the tenor is a very rewarding voice, with a deep grain, that immediately conveys a sense of musicality, even in simple textures.
Whether you play in a consort, early music workshop, recorder orchestra, or small educational group, this tenor is designed to integrate effortlessly, providing a natural foundation and presence.
For Which Musician and Styles?
The STUDIO tenor recorder is particularly suited for musicians who want to develop ensemble playing. It fits well with intermediate players (reading, ensemble coordination, tuning awareness) as well as advanced musicians seeking an instrument comfortable to hold over long periods. In an ensemble, it can serve as a middle voice (counter-melody, harmonic filling, rhythmic support) or become the first voice in a low-pitched quartet, for example in a formation ranging from tenor to contrabass.
Regarding repertoire, the tenor is very comfortable in early music (dances, diminutions, polyphonies), but also adapts well to arrangements of traditional music, pop, or contemporary pieces for recorder ensembles. Its low register provides an immediately expressive color, ideal for working on phrasing, intonation, and balance of sound layers.
Sound and Design
The highlighted strength of this STUDIO model is a deep and warm timbre. On a tenor, this translates to a rich lower-midrange, a sense of roundness in long notes, and the ability to "carry" the line without harshness. In ensemble playing, this warmth allows for a natural blend : the recorder fits well with other recorders, facilitating work on chords, unisons, and counterpoints.
Another key element is the handling. The tenor requires more finger stretch than an alto or soprano; therefore, the ergonomics of the holes are crucial for playing relaxed, maintaining a stable hand, and executing fingerings precisely. Here, the mentioned "perfect ergonomics" aim for lasting comfort: less tension, better attack consistency, and a calmer sound production, especially in passages where the right hand must remain very precise.
Finally, a pleasant tenor to play encourages work on breath control and intonation. The low register often demands well-focused air: when the instrument responds easily, one can focus on musicality (articulation, phrasing, dynamics) rather than compensating with force.
Recommended Compatible Accessories
If you are already equipped, prioritize tenor-specific accessories (maintenance and transport), chosen in the correct sizes: this helps preserve the instrument's longevity and daily comfort. In case of doubt about the exact size or type of accessory needed, it is best to verify compatibility before purchase.
Technical specifications
| Level | Semi-professional | Color | Beige |
| System | Baroque | Finishing | Natural |
| Materials | Maple | ||
| Type | tenor recorder | Sound character | warm sound, deep timbre |
| Series / Model | STUDIO | Recommended use | ensemble playing (middle voice or first voice in a low-pitched quartet) |
| Ergonomics | finger holes with ergonomic placement (comfortable hold) | Popularity | increasingly appreciated instrument for its pleasant sound output |
Customer reviews
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Very good tenor recorder without keys. Several holes (exactly 4) are drilled diagonally to minimize finger spacing, making the instrument easy to play. The tone is quite ample and homogeneous, even in the lowest notes (this is not always the case, other keyless tenors have a slightly thin bass), the high notes are easy to emit.
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Questions frequently asked
Does the Kung Studio Tenor Maple 1502 use baroque fingering?
The system specified for this model is baroque.
Is this tenor recorder suitable for a semi-professional level?
This model is classified at the semi-professional level. This designation places it among instruments intended for already advanced practice.
What wood is used for the Kung Studio Tenor Maple 1502?
Maple is the material of this instrument. The finish is indicated as natural, with a beige color.
What is the finish of this tenor recorder?
A natural finish is specified. The stated shade is beige. No other surface treatment is mentioned in the provided specifications.
Baroque system and maple: what are the characteristics of this tenor?
This instrument combines a baroque system with maple construction.



