Kung Studio Tenor Pearwood 1501

A Tenor Recorder Designed for Ensemble Music

Within the recorder family, the tenor holds a particularly musical role: it connects the melody of the upper voices (soprano/alto) to the harmonic foundation of the larger models (bass/contrabass). The STUDIO tenor recorder embodies this "ensemble" spirit with a sound described as warm and easy to blend with other instruments of the same family. Its growing popularity is simple to explain: the tenor is a very rewarding voice, with a deep grain that immediately conveys a sense of musicality, even in simple textures.

Whether you play in a consort, early music workshop, recorder orchestra, or small educational group, this tenor is designed to integrate effortlessly, providing a natural foundation and presence.

For Which Musician and Styles?

The STUDIO tenor recorder is especially suitable for musicians wishing to develop ensemble playing. It fits well with intermediate players (reading, ensemble coordination, chord listening) as well as advanced musicians seeking an instrument comfortable to hold over long periods. In an ensemble, it can serve as a middle voice (counter-melody, harmonic filling, rhythmic support) or become the first voice in a low-register quartet, for example in a formation ranging from tenor to contrabass.

Regarding repertoire, the tenor is very comfortable in early music (dances, diminutions, polyphony), but it also adapts well to arrangements of traditional music, pop, or contemporary pieces for recorder ensembles. Its low register brings an immediately expressive color, ideal for working on phrasing, intonation, and balance of sound layers.

Sound and Design

The highlighted strength of this STUDIO model is its deep and warm timbre. On a tenor, this translates to a rich low-midrange, a sense of roundness in long notes, and the ability to "carry" the line without harshness. In ensemble playing, this warmth allows for a natural blend : the recorder meshes well with other recorders, facilitating work on chords, unisons, and counterpoint.

Another key element is the handling. The tenor requires a wider finger stretch than an alto or soprano; therefore, the ergonomics of the holes are crucial for playing relaxed, maintaining a stable hand, and executing fingerings precisely. Here, the mentioned "perfect ergonomics" aim for lasting comfort: less tension, more consistent articulation, and a calmer sound production, especially in passages where the right hand must remain very precise.

Finally, a tenor that is pleasant to play encourages work on breath control and intonation. The low register often demands well-focused air: when the instrument responds easily, one can focus on musicality (articulation, phrasing, dynamics) rather than compensating with force.

Recommended Compatible Accessories

If you are already equipped, prioritize tenor-specific accessories (maintenance and transport), chosen in the correct dimensions: this helps preserve the instrument's longevity and daily comfort. If in doubt about the exact size or type of accessory required, it is best to verify compatibility before purchase.

Technical specifications

Level	Professional	Color	Brown
System	Baroque	Finishing	Natural
Materials	Pearwood

Type	tenor recorder	Recommended use	ensemble playing (middle voice or first voice in a low-register quartet)
Series / model	STUDIO	Popularity	increasingly appreciated instrument for its pleasant sound quality
Ergonomics	finger holes with ergonomic placement (comfort of hold)