Lemoine Chepelov P./ Menut B. - La Dictee En Musique Vol.6 - Fin Du 2eme Cycle + CD
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Lemoine
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Hexamusic
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Summary of This Method
Musical dictation remains an essential pillar in the training of musicians, whether in conservatory programs, music schools, or self-study. This method offers a solid and progressive path designed to develop the ear comprehensively through dictations selected from a vast repertoire, from the Middle Ages to contemporary aesthetics. The goal is twofold: to strengthen listening reflexes and broaden stylistic references, in order to better understand and transcribe what is heard.
The book is organized into six chapters, each with its own progression. The work begins with rhythm, the foundation of timing and precision, then continues with melody, to develop identification of intervals, melodic contours, and structural points. The harmony chapter then refines listening to chords, cadences, and functions, while the timbres section helps better recognize instrumental colors and sound textures.
The mixes section offers particularly instructive training: dictations with missing parts that engage the concepts worked on in the previous four chapters. Finally, the error detection exercises provide an excellent way to improve listening accuracy by identifying intentional mistakes and learning to correct them methodically. Thanks to the CD, the training relies on carefully produced recordings, promoting regular and effective practice, ideal for preparing exams, competitions, or music theory courses.
Technical specifications
| Theme | Musical dictation | ||
| Composer | CHEPELOV Pierre / MENUT Benoit | Pages | 64 |
| Instrumentation | musical dictations | Year of publication | 2003 |
| Genre | method - studies | ||
Questions frequently asked
Is Dictée en musique vol. 6 suitable for the end of the 2nd cycle?
Designed for the end of the 2nd cycle, this work offers a progressive approach to musical dictation.
Is the CD included with the method?
A CD accompanies the 64 pages of the book. It provides recordings intended for regular dictation practice.
What themes are covered in the six chapters?
The six chapters cover rhythm, melody, and harmony. Timbres are also part of the course. Sections on mixing and error detection complete the set.
How do the dictations with missing parts work?
The "mixing" section gathers dictations with missing parts. It engages the concepts worked on in the previous four chapters.
Does the method offer work on correcting musical errors?
The error detection sections invite identifying and then correcting intentional mistakes to refine listening accuracy.
