Lemoine Huvelle Paul - Initiation A La Polyphonie
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Lemoine
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Summary of This Method
Designed by Paul Huvelle, piano lecturer at Wiltz (Grand Duchy of Luxembourg), this work offers a particularly rich collection to discover polyphony on the piano without making it intimidating. The goal is clear: to learn while having fun, to overcome difficulties progressively, and to become familiar with the polyphonic style, an essential step in the pianist's training.
Throughout the pieces, the student explores the fundamental principles of multi-voice writing: what polyphony is, how a canon works, how to identify imitation, and how to approach a fugue. The approach does not aim to be "scholarly," but to develop musical reflexes: listening to voice leading, balancing sound layers, understanding subject entries, and constructing coherent articulation.
The collection thus allows for an early initiation into polyphonic playing, progressively leading to more advanced pieces, up to the two-voice fugues of J.S. Bach. To get the most out of it, the work encourages active and lively practice, relying on proven methods: singing a voice, playing one hand while singing the other, and learning to follow each melodic line as if it were carried by a different instrument.
Press: an article published in L'Education Musicale (issue 112, March 2017) highlights the pedagogical value of this "substantial collection," precious for developing inner hearing and understanding of voices, in order to bring music to life in the student's mind.
Technical specifications
| Publication | Methods | ||
| Composer | Paul Huvelle | Language | French |
| Instrumentation | piano | ||
Questions frequently asked
At what piano level should polyphony be started with this method?
The collection allows introducing polyphonic playing very early, with a progression designed to gradually overcome difficulties. The path then leads to more advanced pages, up to the two-voice fugues by J. S. Bach.
Which polyphonic techniques are covered?
The book presents the principles of multi-voice writing, notably canon, imitation, and the approach to fugue. Attention is given to identifying subject entries and to the management of each voice.
How to practice the voices on piano with Paul Huvelle?
Active practice exercises are proposed: singing one voice, playing one hand while singing the other, and following each melodic line as a distinct instrument. This approach develops listening to sound layers and coherent articulation.
Is this polyphony method in French?
The method is written in French and is designed for piano.
Does Lemoine Huvelle Paul - Initiation à la polyphonie include fugues by Bach?
The progression leads up to the two-voice fugues by J. S. Bach. An article in L’Éducation Musicale, issue 112 of March 2017, highlights the collection's value for inner listening and understanding of voices.
