Lemoine Teslar/gevrey - Méthode De Rythme Vol.1
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Lemoine
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Summary of This Method
Whether you are a musician, dancer, or simply a music lover, this method offers a precise path to discover and understand rhythm through practical application. The goal is to build a true rhythmic language, based on accessible, progressive, and immediately applicable exercises. The approach is deliberately direct: here, rhythm is not an abstract concept, it is lived and felt.
The emphasis is placed on the physical and practical aspect of rhythmic work. You will primarily use your body as an "instrument": foot placement, leg mobility, arm coordination, hand claps, and even the voice to articulate and stabilize rhythmic cells. This approach strengthens pulse, metric ease, and precision, while improving the bodily awareness essential to musicality.
The core of the method relies on the independence of different parts of the body. By developing this coordination, you consolidate essential skills in musical training: tempo stability, dissociation, inner listening, and the ability to layer multiple rhythmic levels. The accompanying CD complements the work by providing a framework for regular listening and practice, particularly useful for progressing autonomously.
Technical specifications
| Theme | Music theory | ||
| Composer | TESLAR Yves / GEVRAY Alexis | Pages | 48 |
| Instrumentation | musical training | Year of publication | 2002 |
| Genre | classical | ||
Questions frequently asked
Is this rhythm method suitable for beginners?
The exercises are presented as accessible and progressive, with immediate application. The 48 pages offer a practical approach to rhythm intended for musicians, dancers, and music lovers.
What bodily exercises are suggested to work on rhythm?
The work focuses on foot placement, leg mobility, hand clapping, coordination of the arms, and the voice.
How does this method develop rhythmic independence?
The approach is based on the dissociation of different parts of the body. It aims for tempo stability and internal listening. The layering of multiple rhythmic levels is part of the skills developed in musical training.
Is there an accompaniment CD included?
An accompaniment CD is mentioned to support listening and regular practice. It serves as a tool for the autonomous work of rhythmic cells.
Who wrote Méthode de Rythme Vol.1 and when was it published?
Published in 2002, this 48-page music theory method was authored by Yves Teslar and Alexis Gevray.



