London Pro Musica Bassano Bovicelli And Others - Divisions On ?Io Son Ferrito Ahi Lasso? - Dessus(Voix) Et Bc
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London Pro Musica
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Summary of This Score
The score "REP16 BASSANO, BOVICELLI and others, Divisions on Io son ferito ahi lasso, for soprano instrument/voice and continuo" offers a selection of divisions, that is, embellished and varied melodic lines built on an iconic vocal theme. Written by Bassano, Bovicelli, and other composers, these variations provide an excellent introduction (or deepening) to the ornamentation practices of the late Renaissance and early Baroque: rapid runs, flowing passages, rhetorical accents, breath management, and sense of line. Designed for a dessus (soprano instrument or voice) accompanied by a basso continuo, it suits many contexts: stylistic work with a harpsichordist or organist, audition preparation, sight-reading, or building a concert program focused on diminution and the art of variation. A particularly relevant resource for musicians wishing to enrich their ornament vocabulary and gain fluency in early repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Bassano; Bovicelli; others | Genre | early music; divisions (diminutions); variations |
| Instrumentation | soprano instrument or voice and basso continuo | ||
Questions frequently asked
What instrumentation is planned for this edition?
The score is written for a treble instrument or voice, soprano range, with basso continuo accompaniment.
Can Io son ferito ahi lasso be performed with a soprano voice?
The indicated ensemble admits the soprano treble voice. The solo line can also be assigned to a treble instrument. A basso continuo is required for the accompaniment.
Which composers are featured in this division score?
The collection brings together divisions by Bassano, Bovicelli, and other authors.
Is this score suitable for practicing Renaissance diminutions?
The variations are built on the vocal theme "Io son ferito ahi lasso". They address the ornamentation practices of the late Renaissance and early Baroque periods, with rapid sequences and flowing passages.
REP16 Bassano Bovicelli: what repertoire is covered?
This edition belongs to early music and focuses on divisions, also called diminutions, in the form of variations for treble and basso continuo.



