Meinl 18" BYZANCE FOUNDRY RESERVE CRASH
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Manufacturer Information
Meinl
https://www.ortegaguitars.com
info@ortegaguitars.com
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Historical Context and Positioning Within the Range
The "Foundry Reserve" label refers to a decidedly artisanal approach, designed to offer a crash cymbal with a more organic and complex sound than a standard production. Without detailed information on its launch year, it can be positioned as a high-end model aimed at those seeking a worked bronze with real sonic depth and a marked identity. The choice of B20 and hand hammering clearly support this, with a sonic aesthetic that prioritizes musicality and depth.
Target Audience for This Drum/Instrument
This 18-inch crash cymbal is primarily intended for intermediate to advanced drummers who want a more expressive crash than an entry-level model, capable of responding to dynamic playing (from subtle ghost crashes to strong accents). It is particularly suitable for styles where a "singing" cymbal is expected: modern rock, pop, indie, funk, blues, worship, jazz fusion, and contemporary music. Thanks to its size, it can also serve as a main crash in a minimalist setup or as a complementary large crash to broaden the palette.
Features and Innovations
Here, the key "feature" is responsiveness : hand hammering influences the metal tension and promotes a more gradual opening, with more texture in the attack. The B20 alloy (rich in copper and tin) provides a complex sonic foundation, while the traditional finish allows the natural grain of the bronze to breathe. The result: a crash capable of shifting from delicate stick playing to powerful accents without becoming harsh too quickly, and with a harmonic spectrum that remains interesting even at low volumes.
Sound Characteristics
With cymbals, we talk about bronze rather than wood, and the alloy plays a role similar to wood species on a snare drum: it defines the color and richness of the sound. The B20 is known for its balance of warmth, complexity, and projection. It generally produces more harmonics and depth than simpler alloys, resulting in a crash that "lives" more within the mix.
Hand hammering tends to add character: the attack gains texture, with a more organic and less smooth quality, and the cymbal responds better to playing nuances (clearer difference between a soft stroke and a strong hit). On an 18-inch cymbal, this approach often translates into wide openness, a sense of sonic breadth, and a sustain long enough to carry accents without overpowering the rest of the kit when dynamics are controlled.
The traditional finish aims for a musical compromise: enough clarity to remain articulate, but with a softness that avoids excessive brightness. This is a relevant choice if you are looking for a versatile crash capable of fitting both in a studio context (where controlled harmonics are appreciated) and on stage (where a cymbal that projects and fills the space is needed).
Technical specifications
| Type | Crash |
| Diameter | 18 inches |
| Alloy | B20 |
| Hammering | hand hammered |
| Finish | traditional |
Questions frequently asked
What sound does the Meinl Byzance Foundry Reserve 18-inch Crash offer?
The B20 alloy provides a warm tone rich in harmonics. The 18-inch diameter promotes a wide crash with a fairly long sustain to carry accents.
Does the hand hammering change the response of this crash?
Hand hammering affects the tension of the bronze and contributes to a gradual opening. The attack gains texture, with a nuanced response between light playing and strong accents.
Is this 18-inch crash suitable for rock and jazz fusion?
This model is suitable for modern rock, pop, funk, blues, worship, and jazz fusion. Its 18-inch size allows it to be used as a main crash in a smaller setup or as a large complementary crash.
What is the finish of this Meinl cymbal?
The traditional finish preserves the natural grain of the B20 bronze and aims for a balance between clarity and smoothness.
Can it be used at low volume in the studio?
Thanks to the B20 alloy and hand hammering, it is possible to achieve an interesting harmonic spectrum even at low volume. The cymbal responds to stick nuances without becoming aggressive too quickly. Its traditional finish helps maintain definition suitable for studio work.



