Radial MS4 Gold Digger
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Manufacturer Information
Radial
https://www.radialeng.com
info@radialeng.com
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Algam SAS
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A Studio Tool Designed for Unbiased Comparison
Comparing microphones is often more complicated than it seems: as soon as you change preamps, settings, or even load, perception shifts and you no longer know what you are truly evaluating. The Gold Digger belongs to the family of high-end "utility" tools dedicated to the recording studio: it centralizes microphone selection and allows switching from one to another in seconds, while keeping exactly the same downstream chain. The result: you judge the microphone, not the rest of the setup.Who Is It For and What Studio Uses?
The Gold Digger is primarily aimed at sound engineers, producers, and studios who want to speed up sessions while gaining reliability in microphone choice. It is particularly relevant for vocal recordings (singing, voice-over, podcast) where hesitation exists between several models, but also for sources like acoustic guitar, amp, room, percussion, or brass, whenever a quick comparison is needed.In practice, the benefit is twofold: on one hand, you improve your workflow (less unplugging, fewer trips to the booth), on the other, you build the artist's confidence. Being able to immediately hear "how the voice sounds" on several microphones, at equal level, helps validate a choice and encourages better performance from the first takes.
Neutral Switching, Without Coloring, Designed for A/B Testing
Passive Path and Gold-Contact Relays
The Gold Digger adopts a passive design without audio buffer or transformer. Switching is done via military-grade relays with gold contacts, chosen for their reliability and ability to preserve signal integrity. The goal is clear: to guarantee switching from one microphone to another without coloration, distortion, or artifacts, so that the perceived difference comes solely from the microphones.Exclusive Selection: One Microphone in the Chain, Period
Each channel features a "radio" type selector: when you activate one, the others are automatically excluded. This logic prevents accidental mixing, limits the risk of interference between microphones, and ensures the operator that only one microphone feeds the preamp at a time. This is an essential detail when seeking to finely compare low-end response, presence, air, or how a microphone handles transients.External Power, Integrated 48V Phantom, and Aligned Levels
The external power supply handles LEDs, relay activation, and allows the Gold Digger to generate its own 48V phantom power. Activation can be done microphone by microphone, simplifying management of hybrid configurations (for example, a dynamic alongside two condensers and an active ribbon), while maintaining direct control over each input.To ensure truly impartial comparison, the Gold Digger includes volume compensation controls: you adjust each input to achieve identical relative output. This is crucial because a slight level difference can create the illusion that a microphone "sounds better" simply because it is louder. Once levels are aligned, you can focus on the criteria that matter: timbre, definition, sibilance, depth, and placement in the mix.
Technical specifications
| Number of channels | 4 |
| Digital conversion | No |
| Max input level (dBu) | 26 |
| Settings | Phantom power, input selector, input trim |
| Frequency response | 10 Hz - 100 kHz |
| THD | < 0,0006% @ 1 kHz |
| Inputs | 4 x XLR |
| Analog outputs | XLR |
| Power supply | DC 15 V |
| Display | LED |
| Weight | 1.3 kg |
| Dimensions (mm) | 121 x 64 x 147 |
Questions frequently asked
Can four microphones be compared on the same preamp?
The 4 XLR inputs are switched to a single analog XLR output to maintain the same preamplification chain. The exclusive selector only allows one microphone to be active at a time.
Is 48 V phantom power available on each input?
A 48 V phantom power supply is generated by the device and can be activated separately for each microphone. This setup allows the use of condenser microphones alongside models that do not require phantom power.
How to align microphone levels during an A/B test?
Each input has a trim control for volume compensation to adjust relative levels. Level matching reduces the influence of gain differences during comparative listening.
Does switching on the Radial MS4 Gold Digger color the signal?
The passive audio path contains neither buffer nor transformer, and switching is done via gold-contact relays. The specified harmonic distortion is less than 0.0006% at 1 kHz, with a frequency response from 10 Hz to 100 kHz.
What are the dimensions and power supply of the microphone selector?
The enclosure measures 121 x 64 x 147 mm and weighs 1.3 kg. It requires an external 15 V DC power supply.



