Radial PRO MS2 MICROPHONE SPLITTER
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- This item is covered for 3 years
The essentials to know about the Radial Pro MS2 direct box
The essentials to know about the Radial Pro MS2 direct box
- 1-channel passive microphone splitter: duplicates a balanced mic signal to multiple destinations without power.
- 1 transformer-isolated output + 2 direct outputs: ideal for FOH / monitors / simultaneous recording or broadcasting.
- Effective noise reduction: high common-mode noise rejection (115 dB) to limit hum, mains interference, and ground loops.
- Roadworthy design: rugged steel enclosure, reliable connectors, and rack-friendly format (up to 8 units via Radial J-Rak).
Manufacturer Information
Radial
https://www.radialeng.com
info@radialeng.com
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Safety manager:
Algam SAS
Email: contact@algam.net
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Radial ProMS2: a "Pro" series mic splitter designed for stage and studio
The Radial Pro MS2 (often referenced as ProMS2) fits into Radial's "plug-and-play" approach: a simple, passive, and high-performance solution to meet a very common need in live and professional environments. Its role is clear: to split a balanced mic signal to send it to multiple devices simultaneously while preserving signal integrity. This design philosophy makes it a particularly appreciated tool whenever the same source must be shared between multiple audio chains without compromising cleanliness and stability.
For whom and for what uses: FOH, monitors, studio, and broadcasting
On stage, the Pro MS2 quickly becomes indispensable when the same mic needs to feed multiple mixing consoles (for example, a front-of-house console and a monitor console) or when a reliable separation is required between the live control room and a recording system. It is also well suited for setups where a signal must be sent to a broadcast stream (capture, streaming, broadcast) while maintaining a dedicated channel for the main mix.
In the studio, it allows distributing a microphone to multiple preamps to compare preamp tonalities, feed different processing chains, or secure a take by duplicating the signal to multiple destinations. All with a simple philosophy: no power supply to manage, no complex settings, and immediate deployment.
Key design points: isolation, signal purity, and ground issue control
An Eclipse ET-MS10 transformer at the heart of the split
Inside, the ProMS2 relies on an Eclipse ET-MS10 transformer responsible for signal separation. Its nickel laminated core contributes to a wide frequency response and a signal handling described as very stable, with extremely low distortion. The goal is to maintain a faithful signal, free of artifacts or unwanted coloration, even under demanding stage conditions.
Buzz and interference reduction: noise rejection and protections
Live systems often suffer from hard-to-diagnose issues: hum, mains-related buzz, interference, and ground loops. The Pro MS2 focuses on these with a common-mode noise rejection of 115 dB. The transformer is additionally double-shielded against magnetic fields (dedicated shielding and external steel enclosure), with RF filtering and 100% discrete circuitry to preserve signal clarity and reduce disturbances.
Practical controls: pad and ground lift switch
In real use, level differences and wiring constraints arise quickly. The ProMS2 includes a -30 dB pad to handle situations requiring strong attenuation, as well as a ground lift switch to help address hum caused by connections between multiple systems. These simple but crucial features save valuable time during setup and troubleshooting.
Durability and rack integration
As is common with Radial, the build targets heavy use: rugged steel enclosure and connectors designed to withstand repeated handling. Another practical advantage: the format allows mounting up to 8 units in a rack with a Radial J-Rak, facilitating multi-source split systems in touring rigs or fixed installations.
Technical specifications
| Frequency response - start | 20 Hz | THD | 0,001% @1 kHz / +4 dBu |
| Frequency response - end | 20 kHz | Inputs | XLR |
| Category | Direct box | Analog outputs | 2 x XLR |
| Number of channels | 1 | Power supply | Passive |
| Digital conversion | No | Weight | 720 g |
| Max input level (dBu) | 26 | Dimensions (mm) | 84 x 127 x 48 |
| Settings | -30 dB attenuator, ground lift switch | ||
| Power | passive | Input impedance | 2.5K Ohms unbalanced |
| Circuit | passive | Output impedance | 140K Ohms balanced |
| Tubes | no | Frequency response | 20 Hz - 20 kHz |
| Built-in preamp | no | Gain | -0.5 dB |
| Transformer | Eclipse ET-MS10 | Dynamic range | >140 dB |
| Controls | -30 dB attenuator, ground lift switch | Noise level | -140 dB |
| Pad | -30 dB | Max input | +26 dBu |
| Outputs | 2 x XLR | Phase deviation | 1 degree at 20 Hz |
| Outputs (product description) | 1 transformer-isolated output + 2 direct outputs | Common-mode noise rejection | 115 dB |
Questions frequently asked
Can the same microphone be sent to both the front of house and monitors?
The ProMS2 distributes a balanced microphone signal to multiple devices, including a front of house console and a monitor console. It features a transformer-isolated output and direct XLR outputs.
Does the Radial Pro MS2 work without power?
Its passive circuit requires no external power supply. The Eclipse ET-MS10 transformer provides signal isolation.
How to eliminate hum with this microphone splitter?
A ground lift switch helps address ground loops that may cause hum. The common mode noise rejection reaches 115 dB, and the transformer is double-shielded against magnetic fields.
Is the -30 dB pad useful with high signal levels?
The -30 dB attenuator significantly reduces the signal level when needed. The input can handle up to +26 dBu.
Can multiple ProMS2 units be rack-mounted?
Up to 8 units can be rack-mounted using a Radial J-Rak. The steel chassis measures 84 x 127 x 48 mm and weighs 720 g.



