Revv G4 V2 Distortion
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The essentials to know about the Revv G4 v2 pedal
The essentials to know about the Revv G4 v2 pedal
- High-gain “amp-in-a-box” distortion inspired by the Red channel of the Revv Generator 120 amp: modern bite with a true amp feel.
- 3 “Aggression” modes (Off, Blue, Red) to vary the saturation, compression, and low-end response without changing pedals.
- 3-band amp-style EQ (Bass, Middle, Treble) for precise shaping of the thick low mids and midrange clarity.
- Comfortable anywhere: in front of an amp set to the clean channel, in an effects loop as a preamp, or as part of a hybrid/digital rig.
Manufacturer Information
Revv
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A “Red Channel” Distortion: Revv Generator DNA in Pedal Format
Revv’s G series was designed as a direct bridge between the character of its in-house amplifiers and the practicality of a pedalboard. The Revv G4 v2 captures the spirit of the Generator 120’s Red channel: a dense, rich and “chewy” distortion, built for modern rhythm playing and singing leads, while maintaining an organic response under your fingers.
This v2 version benefits from a circuit revision focused on an “amp-like feel”: greater versatility when you lower the gain, and more clearly defined mids for a more natural place in a mix. The result is the massive, saturated character of the Red Channel, but with a wider palette, ranging from muscular crunch to full-on high gain.
Which Guitarists and Styles Is It Designed For?
The G4 v2 is aimed at guitarists looking for a high-gain distortion pedal capable of covering the needs of an entire set: tight riffs, modern rock chords, sustained solos, and even more rootsy sounds when you reduce the gain. It will suit an intermediate musician looking for an easy-to-dial-in “big sound” just as well as an experienced player who demands dynamics and a genuine preamp feel.
Stylistically, it shines in modern rock, hard rock, metal, prog and hard-hitting punk, but it can also surprise in classic rock and blues-rock when you use the more restrained Aggression mode and work with the guitar’s volume control. In the studio, it becomes a quick tool for layering guitar parts ; live, it effectively replaces a distorted channel (or provides a second gain color) without relying on a specific amplifier.
Controls, Aggression Modes and Integration into Your Rig
The Revv G4 v2 remains deliberately straightforward: Gain and Volume to control the distortion and output level, plus a 3-band EQ (Bass, Middle, Treble) designed to respond like an amplifier. The idea is simple: adjust the gain structure, then place the guitar in the right spot in the spectrum (more prominent mids to cut through, or tighter lows for clean palm mutes).
The central 3-position “Aggression” switch (Off, Blue, Red) is at the heart of the pedal’s personality. It can be understood as a gain increase, but it mainly affects the voice and response: more or less compression, tighter or looser low end, and a different sense of “push.” Even in the Off position, the G4 v2 retains a solid crunch; in Blue, the distortion becomes tighter and more focused; in Red, you get the biggest and most saturated character.
For integration, the G4 v2 works extremely well in front of an amplifier set relatively clean (it then becomes your distorted channel). It can also be placed in the effects loop as a preamp, which is useful if you want to bypass the amplifier’s preamp section and retain your signature distortion sound from one backline to another. Its true bypass makes it easy to add to any pedalboard, while the top-mounted jacks optimize space.
The Sound
The G4 v2’s sonic signature is recognizable by its thick low mids and “amp-like” distortion: a meaty tone that retains substance on sustained notes, with a slightly smoother and more compressed feel when you push the Aggression control. Chords remain dense, harmonics jump out easily, and leads benefit from fluid sustain without becoming soft when the EQ is set correctly.
Its appeal also lies in its midrange clarity: the guitar takes its place with authority, which is useful for modern rhythm parts and dense arrangements. By playing more lightly and lowering the gain, the G4 v2 can become more open and dynamic, perfect for an edgy crunch. Guitarists regularly associated with the Revv G4 include Ola Englund, Rabea Massaad and Dave Baksh, demonstrating its versatility across huge riffs, modern textures and touring environments.
Technical specifications
| Effects | Distortion / Overdrive / Fuzz, Distortion | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Red |
| EQ | 3 channels | ||
| Bypass | true bypass | Weight | 363 g |
| Controls | Volume, Gain, Bass, Middle, Treble | Made in | Canada |
| Equalization | 3-band | Battery operation | no |
| Aggression 3-position selector | Red / Off / Blue | Power supply | no |
| Input | 6.35 mm jack | Consumption | 14 mA |
| Output | 6.35 mm jack | Power connector | 2.1 x 5.5 mm, center-negative polarity |
| Dimensions | 70 x 121 x 32 mm | ||
Questions frequently asked
What kind of sound does this distortion offer for metal and modern rock?
The tonal character is based on the Red channel of the Revv Generator 120, featuring thick low-mids and saturation suited for tight riffs. The Blue and Red positions on the Aggression switch tighten the response and increase the saturated character.
Can the pedal be placed in the effects loop of an amp?
Placing it in front of a clean amp allows it to be used as a saturated channel. In an effects loop, the pedal can serve as a preamp to bypass the amp's preamp section. The top-mounted jacks facilitate integration on a pedalboard.
Does the Revv G4 V2 run on batteries?
Battery power is not supported: a power supply with a 2.1 x 5.5 mm connector and negative center polarity is required, with a consumption of 14 mA.
What controls are available on the G4 v2?
The 3-band EQ includes Bass, Middle, and Treble, complemented by Gain and Volume controls. The Aggression switch offers three positions: Off, Blue, and Red.
What are the dimensions of the Revv G4 v2 pedal?
Measuring 70 x 121 x 32 mm and weighing 363 g, the size remains compact for a pedalboard. The pedal is made in Canada.



