RME 12MIC-D
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RME
https://www.rme-audio.de
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A Logical Evolution in the RME M-Series Range, Designed for Network Audio
The 12Mic-D continues RME's professional solutions dedicated to multi-channel environments and network audio infrastructures. It retains the sonic approach of the existing 12Mic, announced as acoustically identical, while positioning itself as an alternative tailored for workflows where network distribution and compatibility with studio and broadcast standards are priorities.
Where the 12Mic excels in an AVB configuration, the 12Mic-D emphasizes direct MADI and Dante integration, making it a particularly relevant choice for quickly connecting preamp racks to a control room, console, stage system, or IP infrastructure without multiplying external boxes.
A 12-Channel Preamplifier for Studios, Live Recordings, Broadcast, and Fixed Installations
Designed as a true "hub" of inputs, the RME 12Mic-D suits recording studios wanting to centralize 12 mic inputs with careful conversion, as well as live sound providers and broadcast control rooms needing a reliable, rack-mountable front-end that is quick to deploy. The presence of front-panel inputs, a headphone output, and an LCD screen facilitates adjustments on site, even when main control is remote.
The first four inputs also accept jacks and offer a switchable Hi-Z: convenient for directly recording guitar, bass, or instrument-level sources without an external DI. On the other hand, the network and digital connectivity allow sending channels to multiple destinations (recording, monitors, broadcast) depending on your studio or stage architecture.
Features and Performance: Conversion, Digital Control, and Internal Routing
Preamps Without PAD, Generous Gain, and Comfortable Headroom
The microphone input stages operate without PAD attenuators and offer a gain range up to 75 dB, while accepting signals up to +18 dBu. This combination allows handling everything from low-level dynamic microphones to louder sources without losing control. Digital gain control simplifies session recalls and integration in environments where settings must remain consistent day to day.
Studio-Quality Conversion and High Signal-to-Noise Ratio
The 12Mic-D emphasizes conversion quality, with a signal-to-noise ratio of 121.2 dB(A) specified across all channels. For the user, this translates to very low background noise and excellent clarity of recordings, a crucial point when stacking tracks (multi-mic drums, ensembles, layered vocals) or working with delicate and dynamic sources.
Integrated Routing Matrix and SteadyClock FS Synchronization
The integrated routing matrix provides appreciated flexibility to distribute signals to different output formats and organize a coherent virtual patch without relying solely on the computer or console. The SteadyClock FS clock enhances synchronization stability, especially in systems where multiple digital devices must share a common timing (racks, converters, consoles, recorders).
Technical specifications
| Number of channels | 12 |
| Rack unit | 1 |
| Dimensions | 440 x 44 x 243 mm |
| Weight | 2.8 kg |
Questions frequently asked
Is the RME 12Mic-D compatible with MADI and Dante?
The 12Mic-D is designed for direct integration with MADI and Dante, allowing connection of the 12 preamp channels to a mixing console, control room, or audio network infrastructure.
Can a guitar be plugged directly into the inputs?
The first four inputs accept 1/4" jacks and feature a switchable Hi-Z mode. This allows a guitar or bass to be recorded without an external DI box.
What gain range is available on the microphone preamps?
Each microphone stage offers up to 75 dB of gain and can handle signals up to +18 dBu. No PAD is integrated. Gain is controlled digitally to facilitate recall of settings.
Is the 12Mic-D suitable for live recording and broadcast?
With its 12 mic inputs, 1U rack format, and internal routing matrix, this model meets the needs of live capture, broadcast control rooms, and fixed installations. The LCD screen and headphone output allow on-site adjustments.
What is the signal-to-noise ratio of the converter?
The conversion features a signal-to-noise ratio of 121.2 dB(A) across all channels, with synchronization ensured by the SteadyClock FS clock.
