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Aerophone Pro AE-30

Aerophone Pro AE-30

Regular price 1.479,00 €VAT incl.
1,00 € Ecotax included
Sale price
1,00 € Ecotax included
Regular price Reference price

An Aerophone Flagship: Roland's Approach to the Digital Wind Instrument

With the Aerophone Pro, Roland takes the idea of a "premium" digital wind instrument further, designed for both stage musicians and studio creators. As the heir to the Aerophone line introduced in 2016, this model emphasizes a more natural grip, clear parameter display, and a significantly expanded sound palette. The goal is simple: to preserve the pleasure and reflexes of an acoustic instrument while benefiting from the possibilities of a modern synthesizer (instant recalls, layering, effects, connectivity).

Who Is the Aerophone Pro For?

The Aerophone Pro primarily targets saxophonists and wind players from intermediate level up to professional musicians seeking a reliable, quick-to-configure, and consistent instrument on stage. It excels in pop, funk, electro, jazz, production music, and live contexts where switching between very different sounds without multiplying gear is essential. A motivated beginner can also find it suitable, provided they appreciate an instrument rich in parameters (breath curves, MIDI assignments, scenes, effects) and take the time to customize the response.

Sound, Playing Feel, and Design: Precision, Consistency, Control

The playing feel relies on two key sensors. The breath sensor translates your airflow into dynamics and nuances, helping to build lively phrases from pianissimo to more projected playing. The mouth pressure sensor adds an extra expressive dimension: more credible attacks, inflections, and variations that add depth to both acoustic sounds and synthetic patches. The result is a responsive output, consistent behavior across the range, and a response that can be refined according to your embouchure.

In terms of design, the instrument features a slim silhouette, designed for stable holding and smooth transitions. The OLED screen facilitates navigation and parameter reading both in rehearsal and on stage. Performance controls (octave keys, thumb lever, pads, and dedicated buttons) allow you to manage playing variations, scene changes, and MIDI controls without breaking phrasing, which is essential when switching from melodic roles to more "production" textures.

Technical specifications

ColorWhiteUSBYes

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

Digital wind instrument with analog & MIDI output across 5 octaves. Customers praised the "excellent" sound quality, built-in speakers, and extensive sound bank. Silent keyboard operation improved over earlier models. Some noted complexity for beginners, left-hand key ergonomics challenges, and tongue attack detection needs refinement.

Review highlights

  • “Bluffed by the quality across 5 octaves!”
  • “Sounds are super and effects very good with great flexibility in nuances”
  • “Built-in speakers useful for practicing without cables”

Based on 5 reviews

  • 5 stars, 3 reviews
  • 4 stars, 2 reviews
  • 3 stars, 0 reviews
  • 2 stars, 0 reviews
  • 1 star, 0 reviews

  1. Jean

    The AE-30 responds very well to what is advertised as an analog (jack output) and digital (MIDI and USB output) sound generator. The sounds that the user can create have a huge range of parameters to modulate as desired (which I have not yet tested).

    The sound bank already available is huge and of varying quality. Some are excellent; the pan flute, organs and jazz in particular, the timpani. Saxophones are average. In general, the modulated response to the breath and the pinch of the reed are very well rendered but Roland should refine its sensor to detect attacks (licks) which for the moment go unnoticed.

    To overcome this they offer a trumpet (normal) and a trumpet attack mode. To switch from one to the other during games, you must memorize these two registers using the two buttons configurable by the user.

    For sax there is no “Sax attack” ready! As for the sound, we are amazed by the quality of the rendering over 5 octaves! provided, of course, that you use speakers capable of playing back all the frequencies with the power.

    Good news; key noise has been removed. Now the keyboard is quiet contrary to the criticisms of the first models so criticized on YT. The point that is not at the expected level is the lack of assistance from the Roland service to install the software, which has an installation time of 24 hours. They just don't respond to reset a password!

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  2. Client

    Some difficulties with left-hand keys, which seem to be made for long fingers, and the thickness of the case makes it difficult to hold in your hand. The Sounds... are great and the effects are very good and very flexible in the nuances, the lively shape of the reed pinches a bit at the edges.
    Very flexible in configuration options, but lacks a global or general vision of the selected options, perhaps a table that can be displayed on the laptop.
    In terms of documentation, the AE20 user manual is very clear but the parameters guide is difficult to understand. Overall I really like and recommend this magical and new instrument.

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  3. Marc B.

    Not all tested yet, but the small HP on the sax are useful for working 10 minutes without connections. I also have to configure the button under the right thumb

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  4. Lagneaux P.

    Difficult to assess, it is too early because the instrument is complex.

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  5. Philippe N.

    Ordered almost 2 months ago, it knows how to be wanted!

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