Salabert Mompou F. - The Best Of - TRENTE-et-un Morceaux - Piano
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Salabert
https://www.durand-salabert-eschig.com
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Summary of This Score
Designed for piano, this score brings together several brief pieces with a distinctive character, intended to advance both interpretation and technique. The "separate titles" approach allows you to easily select a piece for a focused practice session (tone, articulation, voice balance) or to build a small recital program. It features contrasting atmospheres, with more lyrical pages and others more rhythmic, ideal for developing expressive playing, attack precision, and control of sound layers.
Separate Titles:
Charmes - Dialogues - Preludes Nos. 6, 7, 9 & 10 - Canción y Danza 6 - Paisajes - Musica callada I & III
This collection is particularly interesting for working on touch quality and dynamic subtlety: some pieces invite intimate playing, exploring timbres and resonances, while others require a more assertive pulse and a sense of movement. The preludes provide an excellent ground to consolidate regularity, phrase shaping, and control of musical breaths. The "canción y danza" type pages highlight the contrast between melodic line and dance character, useful for gaining rhythmic ease without losing the singing quality. Finally, the more introspective pieces encourage precise listening, controlled pedaling, and subtle management of silences, all essential elements for a refined piano interpretation.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | piano | ||
Questions frequently asked
Which pieces are included in this Mompou piano collection?
The collection includes thirty-one pieces, among them Charmes, Dialogues, Paisajes, and Musica callada I & III. It also features Preludes No. 6, 7, 9, and 10, as well as Canción y Danza 6.
Is the sheet music intended exclusively for piano?
The indicated instrumentation is piano alone.
Can touch and pedal be practiced with the pieces from Musica callada?
The pages of Musica callada I and III are presented as pieces with an introspective atmosphere. They require attention to resonance, pedal mastery, and management of silences. This work relies on precise focus on timbres and dynamics.
What technical aspects do Preludes No. 6, 7, 9, and 10 address?
These four preludes help consolidate regularity, phrase shaping, and control of musical breaths. Their separate format facilitates targeted practice.
Does Canción y Danza 6 help work on rhythm at the piano?
Canción y Danza 6 highlights the contrast between melodic line and dance character, with a pulse to maintain without losing the singing quality.



