Schirmer Hermann Berens Training The Left Hand Op.89 - Piano Solo
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Summary of This Method
Hermann Berens: Training The Left Hand Op.89 is an ideal resource for pianists wishing to strengthen a left hand that is often less engaged than the right hand. The collection focuses on one-hand playing to deeply work on rhythmic stability, finger equality, and touch quality without being "masked" by the other hand. This approach allows for precise identification of weak points and effective correction.
You will find 46 exercises and 25 studies for left hand alone, designed to develop reliable piano technique for everyday use: setting up accompaniment, precision in movement, control of intervals and jumps, clearer articulation, as well as better management of hand weight to achieve a full and even sound. The studies also add a musical dimension to the work by placing the left hand in an expressive role (singing bass, harmonic support, phrase shaping), very useful for gaining confidence in classical repertoire and accompaniment.
Thanks to its English translations by Dr. Theodore Baker, this method easily integrates into a practice routine: a few exercises for warm-up, then a study to consolidate skills in a musical context. An excellent choice for sustainable progress in independence and control of the left hand at the piano.
Technical specifications
| Publication | Methods | ||
| Composer | Hermann Berens | Instrumentation | Piano (left hand alone) |
Questions frequently asked
Does this method contain exercises only for the left hand?
The collection is written for piano with left hand alone and includes 46 exercises dedicated to this specific work.
How many studies are included in Hermann Berens Training The Left Hand Op.89?
The work comprises 25 studies for left hand alone, in addition to the 46 technical exercises.
Which technical aspects of the left hand are worked on?
The exercises focus on finger evenness and rhythmic stability. The work also addresses intervals, leaps, and articulation. Weight management of the hand is considered to promote a consistent sound.
Does this method help to work on piano accompaniments?
The studies develop accompaniment setup, with work on singing bass lines and harmonic support.
Are the instructions available in English?
English translations made by Dr. Theodore Baker are included in this Hermann Berens method.



