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KSM8/B BK

KSM8/B BK

Regular price 411,00 €VAT incl.
0,07 € Ecotax included
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0,07 € Ecotax included
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Essential Information About the Shure KSM8 Dynamic Vocal Microphone



  • Dualdyne Dual-Diaphragm Technology: an active and a passive diaphragm for particularly stable and natural sound capture.

  • Very Low Proximity Effect: controlled bass response even when singing very close to the grille.

  • Very Homogeneous Cardioid Polar Pattern: a smooth off-axis response for a more consistent sound when moving around the microphone.

  • Built to Last: Neodymium magnet for high output level, DSS stabilization, and hardened carbon-enriched steel grille.



A Microphone Designed as a Modern Standard for Live Vocals


The KSM8 follows a "useful high-end" approach: offering a stage dynamic microphone capable of performing with the consistency of a studio tool. Its Dualdyne dual-diaphragm capsule represents a major evolution in the vocal microphone family, aiming to reduce timbre variations related to distance, singing angle, or stage movements. The result: a voice that is easier to place in a mix, night after night, without constantly compensating with EQ.



For Which Singers, Stages, and Uses?


The Shure KSM8 is intended for singers who want a reliable, consistent, and controlled sound in concerts, rehearsals, or live recording environments. If you tend to move closer to the microphone during soft passages or step back during powerful parts, its low proximity effect helps maintain a coherent tonal balance. It is also suitable for setups with multiple sources (monitors, backline, backing vocalists) thanks to a cardioid polar pattern designed to remain consistent, even when the voice arrives slightly off-axis.



Technologies and Design: Stability, Smooth Off-Axis Response, Longevity



Dualdyne Capsule: Dual Diaphragm for More Controlled Bass


The dynamic Dualdyne dual-diaphragm capsule is based on an active and a passive diaphragm. This architecture aims to significantly reduce the proximity effect, allowing for more stable lows and avoiding the "boom" often encountered when close to the grille. In practice, you get a voice that remains defined, with present but clean bass, and a more immediate sense of control at the console.



Homogeneous Cardioid Polar Pattern: Easier Placement in the Mix


The KSM8 emphasizes a cardioid polar pattern with great consistency. This homogeneity results in a smoother off-axis response: if the performer moves, turns their head, or shares the space with other sources, the timbre changes less abruptly. This helps maintain a coherent tone, reduces surprises in real conditions, and achieves a more natural sound, especially on stages where energy and movement are part of the show.



Neodymium Magnet, DSS, and Reinforced Grille: A Microphone Ready for the Road


The Neodymium magnet contributes to a high output level, useful for maintaining good presence without pushing the gain. The diaphragm stabilization system DSS contributes to the capsule's precision and durability, especially when the stage environment becomes demanding. Finally, the hardened carbon-enriched steel grille is designed to better withstand the rigors of live use and intensive handling, while maintaining capture performance over time.



Technical specifications

Sensitivity-51,5 dBV/Pa - 2,7 mV/PaNominal impedance300 Ω
Frequency response - start40 HzConnectionXLR
Frequency response - end16 kHzClamp includedYes
Categorywired microphoneIncluded accessoriescarrying case
TypehandColorBlack
DirectivitycardioidWeight330 g
CapsuledynamicDimensions (mm)Ø 48,3 x 188
Polar PatternCardioidSensitivity at 1 kHz-51.5 dBV/Pa
Frequency Response40 Hz to 16 kHzImpedance300 Ohms

Customer reviews

Based on 2 reviews

  • 5 stars, 2 reviews
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  • 3 stars, 0 reviews
  • 2 stars, 0 reviews
  • 1 star, 0 reviews

  1. Loic

    I went from a Beta 58 that is almost 15 years old today to the ksm8. I am on a 2-hour session in rehearsal mode between 2 drummers and facing 2 players and a bass player. The microphone does the job. I have the impression that it renders the bass better.

    Afterwards I did not touch the settings to compare. It isolates extraneous sounds well and allows me to sing with my lips stuck without any problem but also further away from the microphone.

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  2. olivier h.

    Nothing to say, it's a must.

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