Solid State Logic MPC Spectral Compressor And X-Echo
Estimated Shipping Widget will be displayed here!
What you need to know
What you need to know
- Two complementary tools: a creative tape delay with visualizer, plus a precise spectral compressor to clean and stabilize the mix.
- Hardware-inspired delay: 4 switchable heads, "tape" degradation, Wow and Flutter, Saturation, Freeze and Kill for expressive effects.
- Modern workflow: synchronization to the DAW tempo, "Snap" settings to note values, preset management and A/B comparison.
- Visual and surgical control: waveform visualizer (up to 4 seconds) and gain reduction graph for quick and reliable decisions.
Manufacturer Information
Solid State Logic
https://www.solidstatelogic.com
------------------------
Safety manager:
Email:
Address:
What SSL X-Echo + Harrison MPC Spectral Compressor Are For
This plugin duo is designed for modern production and mixing when you want to both create space (delay, stereo width, ambiance) and control dynamics (frequency control, resonance reduction, and taming aggressive areas). X-Echo targets producers seeking a "musical" tape-style delay to enrich vocals, guitars, synths, or percussion, while the Harrison MPC Spectral Compressor provides frequency-oriented compression ideal for keeping a mix clear, balanced, and clean.
Main Features
SSL X-Echo: a creative, readable, and lively tape delay
At the heart of X-Echo, the visualizer captures up to four seconds of the input signal to display how waveforms overlap. This is particularly effective on transient material (toms, snare, percussion), as you immediately see the interaction between the original signal and its repeats. To feed the visualizer, place your DAW's playhead on the desired area and start playback.
X-Echo offers up to four playback heads that you can switch in the signal path, with intervals inspired by a tape machine: 3/4, 1/2, and 1/4 relative to the main head. This architecture allows you to go from a simple slapback to complex rhythms while maintaining an organic "tape echo" feel.
Color, movement, and spatial control
To shape the tone, you have comprehensive sound design parameters: Wow and Flutter to simulate mechanical variations, Saturation for soft distortion and clipping with an analog character, and a single-button de-esser to tame sibilance often emphasized by tape-style delays. The ping-pong mode immediately adds width and depth to your repeats.
The Feedback control adjusts the number of repeats and can exceed 100% to trigger auto-oscillation, ideal for risers, experimental textures, or transition effects. The Freeze (loop content hold) and Kill (cuts input and lets the tail fade) functions offer a performance-oriented approach, perfect for arrangement and automation.
An integrated reverb designed to blend into the mix
X-Echo includes a unique reverb design controlled via a single Diffusion parameter, allowing the delay to blend into different room types and sizes. To place repeats "behind" the source without muddying the low end, a simplified equalizer helps balance bass and treble, while a mid-processor opens the image from mono to stereo, up to a super wide mode, enabling precise placement of the delay within your soundstage.
Timing modes: from free to perfectly tempo-locked
Several timing modes are available: direct delay time adjustment of the initial tape head via the visualizer or the tape speed knob, Snap mode to quickly latch divisions (eighth note, dotted eighth, etc.), and sync to automatically follow your DAW's BPM.
Harrison MPC Spectral Compressor: frequency-oriented compression and visual control
The Harrison MPC Spectral Compressor offers fine and clear dynamic control with a Threshold control (range -60 to 0 dB) to precisely determine when compression engages. The Frequency Range section allows focusing the processing on a targeted zone (Low, Mid, High, or Full Range) to correct more musically and transparently depending on the issue.
The feel and intensity of the processing are adjusted via depth controls, including the Knee (from 1 to 30) to switch from a hard knee, aggressive compression to a softer, more gradual action. Finally, the Output Trim (range -10 dB to +10 dB) facilitates gain compensation and level matching within a mixing chain.
A gain reduction graph clearly displays the compression impact across the spectrum: the reduction curve (red) shows the amount of gain reduced per frequency, while the input curve (orange-yellow) visualizes the incoming signal level. The result: faster adjustments and more confident decisions, especially in mixing and pre-mastering.
Technical specifications
| Type | Full software | Downloadable | Yes |
| SSL X-Echo | delay inspired by early hardware units | Windows Processor | Intel Core 2 (or comparable) clocked at 2.4 GHz or higher |
| Mac Operating Systems | macOS Catalina (10.15), Big Sur (11), Monterey (12) | Mac | AU, VST2, VST3, AAX Native |
| Windows Operating Systems | Windows 10 (64-bit), Windows 11 (64-bit) | Windows | VST2 (64-bit), VST3 (64-bit), AAX Native (64-bit) |
| Mac Processor | M1/ARM or Intel Dual Core clocked at 2.4 GHz or higher | ||
Questions frequently asked
Does the X-Echo create a wide ping-pong delay?
The ping-pong mode widens the repeats, while the mid processor shifts the image from mono to stereo then super wide. Up to four playback heads can be activated with intervals of 3/4, 1/2, and 1/4 relative to the main head.
How does the Harrison MPC Spectral Compressor handle harsh frequencies?
Compression can be targeted at bass, midrange, treble, or the entire bandwidth via the Frequency Range setting. The threshold adjusts from -60 to 0 dB, and the graph displays gain reduction by frequency.
Is SSL X-Echo + Harrison MPC Spectral Compressor compatible with Mac and Windows?
On Mac, X-Echo supports macOS Catalina 10.15, Big Sur 11, and Monterey 12, on M1/ARM or Intel Dual Core processors at 2.4 GHz minimum. On Windows, Windows 10 and 11 64-bit are supported with an Intel Core 2 or equivalent 2.4 GHz minimum processor. AU, VST2, VST3, and AAX Native formats are available on Mac; Windows supports VST2, VST3, and AAX Native 64-bit.
Can the X-Echo delay be synced to the DAW tempo?
The Sync control automatically locks the delay to the DAW's BPM, while Snap mode snaps to divisions such as eighth notes or dotted eighth notes.
What are Freeze and Kill functions on the X-Echo?
The Freeze and Kill functions respectively allow freezing the loop content and cutting the input while letting the delay tail fade out. Feedback can exceed 100 to trigger self-oscillation.




