Soyuz 1973

Soyouz 1973: the brand's artisanal DNA in a more accessible version

The Soyouz 1973 was born from a simple idea: to offer a "forever" Soyouz microphone, more affordable, without betraying the spirit of meticulous craftsmanship and internal control that make the brand's reputation. Rather than multiplying options, the 1973 focuses on the essentials: a large diaphragm FET design, a strong sonic identity, and solid construction, designed to last in the studio. This approach positions it as a coherent entry point into the Soyouz universe, with a particularly attractive recording quality and build quality ratio for those seeking a microphone with character.

A studio microphone for vocals, acoustic instruments, and sources "that need to stand out in the mix"

Thanks to its cardioid pattern and sensitivity, the Soyouz 1973 targets producers, engineers, and artists who want a "main" tracking microphone: lead vocals, spoken voice, acoustic guitar, overheads, percussion, guitar amp (with placement precautions), and even some close-miking on brass instruments. Its FET design helps maintain precise attack and clear definition, which is very useful in home studios to gain clarity without falling into an aggressive sound.

With its built-in pads, it remains usable at high levels: practical if you record very powerful singers, percussion at close distance, or if you like working close to the microphone to get body and intimacy while keeping headroom before saturation.

The "golden age" spirit of FETs, with the Bomblet capsule as a signature

An inherited and modernized capsule

The 1973 features a version of the Bomblet capsule, inspired by a historic lineage: originating from an AKG factory (1953), evolving at LOMO in the early 1970s, then reinterpreted by Soyouz engineers. The goal is to achieve a lively and musical sound, with natural presence and texture that enhances timbres, especially on vocals and acoustic instruments.

Useful tools for tracking: pads and cardioid

The cardioid pattern helps isolate the source and reduce room pickup, a key point in home recording or imperfect booths. The -10 dB and -20 dB pads are not just for show: they allow adapting the microphone to high-level sources and securing the gain chain (preamps, converters), while maintaining stable behavior during sessions.

Classic studio chain: 48 V phantom power

Like any studio FET condenser microphone, the Soyouz 1973 requires 48 V phantom power. Paired with a clean preamp (or a character preamp, depending on the desired aesthetic), it becomes an excellent starting point to build an "album" sound: clear transients, good articulation, and an overall rendering that integrates easily into the mix.

Technical specifications

Frequency response - start	30 Hz	Capsule	Large Diaphragm
Frequency response - end	18 kHz	Connection	XLR
Category	studio microphone	Color	Grey
Directivity	cardioid

Polar pattern	cardioid	SPL	140 dB
Frequency response	30 - 18,000 Hz	Self-noise	18 dB (A-weighted)
Pad	-10 dB / -20 dB	Included	microphone mount
Sensitivity	24.5 mV/Pa	Dimensions (L x D)	100 x 55 mm
Impedance	150 Ohm	Weight	300 g