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DP-24 SD

DP-24 SD

Regular price 535,00 €VAT incl.
0,90 € Ecotax included
Sale price
0,90 € Ecotax included
Regular price Reference price

A Modern Portastudio True to the "All-in-One" Spirit

The DP-24 continues the Portastudio philosophy: compose, record, and finalize all in one place, without a computer. Its control surface with linear faders and large color screen offers a direct and musical workflow. Recording to SD card enhances durability and simplifies daily archiving.

Who Is It For and What Are Its Uses?

Ideal for singer-songwriters, rehearsal bands, schools, and mobile studios, the DP-24 is suitable for live recording of up to 8 sources (vocals, guitars, keyboards, electronic drums). Its "dedicated button" workflow reassures beginners, while advanced editing features, markers, and virtual tracks appeal to demanding users in preproduction or professional demo work.

Fast and Creative Production Workflow

The 12 channel encoders and dedicated controls (EQ, pan, sends) speed up sound shaping, while input processing (compressor, limiter, noise gate, exciter) ensures clean takes. The built-in guitar multi-effects allow direct recording of bass or six-string guitar via the instrument input, no amp needed. During mixing, two effects processors (reverb, chorus, delay...) and a mastering chain (EQ, multiband compressor, normalizer) help finalize a stereo master ready for sharing.

Precise Editing and Smooth Navigation

View waveforms on the large LCD, position up to 99 markers per song, and edit at the subframe level. Undo/Redo with history secures every step, and the "peak hold" function on the meters facilitates gain staging. USB 2.0 transfer accelerates export and archiving of your projects.

Technical specifications

Number of channels24InputsJack, Line in, USB audio, XLR
Sampling frequency48 kHzOutputsUSB, 2 x jack, 2 x headset, Rca
Max resolution24-bitsColorBlack
Headphone outputsYes
24-track digital Portastudio12 mono tracks, 6 stereo tracks, 24 tracks playback simultaneouslyInput dynamic processinglimiter, compressor, noise gate, exciter
Sampling rates44.1 / 48 kHzGuitar multi-effectsnoise gate, amp simulation, compressor, chorus, flanger, phaser, tremolo, auto-wah, delay
Resolution16-bit or 24-bitMix effectsreverb, delay, stereo chorus
Headphone output2 x 70 mWMastering toolsequalizer, multiband compressor, normalizer
Dedicated controlsequalizers, pans, effects sendsEditing functionscopy/paste, copy/insert, cut/paste, cut/insert, insert silence, delete section, erase section, duplicate track, delete track

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

Customers praised this multitrack recorder for incredible sound quality and ease of use. Many highlighted its reliability as hardware versus DAW frustrations, with "plug and play" functionality. Some noted a 3-5 second delay after recordings and small control knobs. Overall, excellent value with robust build quality.

Review highlights

  • “A super mixer with incredible sound, nothing compares to real hardware”
  • “Reliable, easy to use with functions that quickly implement musical ideas”
  • “Magnificent product. Excellent quality-price ratio”

Based on 16 reviews

  • 3 stars, 0 reviews
  • 2 stars, 0 reviews

  1. Greg D.

    Great machine but it has a defect that makes you crazy: at the end of each recording, you have to wait 3 to 5 seconds for the machine to record the track, to regain control. Even if the recording lasted half a second, it's the same... there is a small screen that shows that the machine is working, and we have to wait. and that's awful. I had a boss 1600cDR before, and it didn't do this. I tried to delete in preferences what could slow down, but to no avail. I bought a super quality SD card, I\\\'ve\ Did the machine update... nothing happened
    It ruins the fun, and even sometimes, you want to throw the machine out of the window. so, I found a tip: every time I wait, I take a deep breath. when you record, it can only be positive, especially for a singer. that's it...

    Besides, it\'s great stuff, I\'m recording a disc, and it works great. when you turn on, it works directly. I\'ve run away from computers that are constantly asking for updates, sound cards that are not recognized, sound cards that are not recognized, this or that... in short, with this portastudio: you turn on, and you create. I managed to make the bug machine 1 time in 5 years, and yet, I use it like a madman. we can go from a sound recording, to mixing, then to mastering in 2 steps 3 movements, with a super clean and well produced rendering, provided that the takes then the mixing is careful.

    8 tracks can be recorded simultaneously, a single headphone output on the other hand, then monitor outputs, USB and the whole range that goes well.

    the audio depot function allows you to import or export tracks: super practical!

    very practical knobs: pan, equaliser, effects.

    sturdy machine (fallen out of my car trunk!!)
    cool design

    Very good plug and play: you plug in, you play.
    Apart from this lack of waiting time, it\'s a really good machine. You can bounce, mix, master, and release that to listen to it everywhere to test the result.

    Punch in/out function
    Repeat A/B

    In short, everything is thought out

    Do I recommend? ...
    despite this damn defect... yes, I think so anyway.

    the price is great considering everything we can find.

    Oh yes, a small flaw too, the wheel to move on the timeline has integrated something a bit\ '\ 'intelligent\'\ ', which is supposed to recognize the speed at which you turn the wheel, and it involves big jumps that are quite uncontrollable, but it\'s pretty bad I think... I prefer a regular thing like on my boss

    equipment that can be carried everywhere

    Automatically translated

  2. Greg D.

    Great machine but it has a defect that makes you crazy: at the end of each recording, you have to wait 3 to 5 seconds for the machine to record the track, to regain control. Even if the recording lasted half a second, it's the same... there is a small screen that shows that the machine is working, and we have to wait. and that's horrible. I had a boss 1600cDR before, and it didn't do that. I tried to delete in the preferences what could slow down, but to no avail. I bought a super quality SD card, I updated the machine... nothing Didn't do it
    It ruins the fun, and even sometimes, you want to throw the machine out of the window. so, I found a tip: every time I wait, I take a deep breath. when you record, it can only be positive, especially for a singer. that's it...

    Besides, it's great equipment, I'm recording a disc, and it works super. when you turn on, it works directly. I ran away from computers that are constantly in need of updates, sound cards that are not recognized, this or that... in short, with this portastudio: you turn on, and you create. I managed to make the machine bug 1 time in 5 Year, and yet, I use it like crazy. You can go from a sound recording, to mixing, then to mastering in 2 steps 3 movements, with a super clean and well-produced rendering, as long as the takes and then the be careful mixing.

    8 tracks can be recorded simultaneously, a single headphone output on the other hand, then monitor outputs, USB and the whole range that goes well.

    the audio depot function allows you to import or export tracks: super practical!

    very practical knobs: pan, equaliser, effects.

    sturdy machine (fallen out of my car trunk!!)
    cool design

    Very good plug and play: you plug in, you play.
    Apart from this lack of waiting time, it's a really good machine. You can bounce, mix, master, and release that to listen to it everywhere to test the result.

    Punch in/out function
    Repeat A/B

    In short, everything is thought out

    Do I recommend? ...
    despite this damn defect... yes, I think so anyway.

    the price is great considering everything we find.

    Oh yes, a small flaw too, the wheel to move on the timeline has integrated a slightly “smart” thing, which is supposed to recognize the speed at which you turn the wheel, and it involves big jumps that are quite uncontrollable, but it's pretty bad I think... I prefer something regular like on my boss

    Equipment that can be carried everywhere

    Automatically translated

  3. FRABONI E.

    A great mixer with an incredible sound I had the old model 15 years ago and I always regretted selling it to switch to DAW which a friend advised me since then I have always been disappointed because we spend more time solving problems than playing it... nothing worse for inspiration and sound nothing like real hardware

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  4. Daniel P.

    Already the owner of two digital recorders of different brands, I find in the Tascam DP 24SD, in the Tascam DP 24SD, a reliable, easy-to-use device with functions that allow us to quickly implement our musical ideas.

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  5. Franck

    For people allergic to MAO. The pleasure of old-fashioned multitrack without sacrificing the possibility of dry recording to then include effects (either those offered by Tascam or your favorite effects on loops).

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