Triton Audio Bigamp

A Compact Format in the Spirit of Modern Stage and Studio Solutions

The Triton BigAmp follows a simple and effective approach: offering a miniature format instrument preamp that advantageously replaces bulkier solutions when traveling light, while maintaining demanding audio quality. Whereas a classic DI box can depend on context (variable quality on site, long cables, induced noise), the BigAmp lets you bring your own consistent input chain from one gig to another and from one session to the next.

Its concept is based on a pragmatic idea: bringing the input stage closer to the instrument. Placed as close as possible to the source, the BigAmp helps preserve signal integrity before driving a more robust balanced connection to a console, stagebox, or audio interface.

Who Is the BigAmp For and What Are Its Uses?

The BigAmp is aimed at guitarists, bassists, keyboardists, and electronic musicians who want to send a clean and stable signal to a sound system or recording. Its 6.3 mm jack input accepts both an electric guitar pickup and a line-level output from a synthesizer, making it a versatile tool for modern rigs (pedalboards, multi-effects, synths, drum machines).

In the studio, it facilitates a clean direct input with a balanced output ready to feed a mic preamp, a suitable line input, or a patch bay. On stage, it secures long cable runs and reduces the risk of hum and high-frequency loss caused by overly long instrument cables.

Design Focused on Audio Quality and Ease of Integration

Class A JFET Preamplification: Precision and Low Noise

At the heart of the BigAmp is a low-noise Class A JFET amplifier designed to preserve your instrument's character while providing a subtle 3 dB gain. The goal is not to "over-process" the signal but to offer clean amplification and better performance on subsequent connections in the audio chain.

With a maximum input level of 15 dBv, the BigAmp handles both instrument signals and some stronger sources, such as synthesizers or moderate line outputs, as long as the available headroom is respected.

Low-Impedance Balanced Output: A Signal Ready for the Stage

The BigAmp converts the unbalanced instrument output into a balanced output via a 3-pin XLR, with a low-impedance output buffer. The result is a more robust signal, less sensitive to interference, and more reliable over long distances between stage and FOH or between a recording position and the control room.

Phantom Power 24/48 V: No Batteries, No Stress

Designed to be powered by 24/48 V phantom power, the BigAmp integrates naturally with consoles, preamps, or interfaces that provide phantom power. You gain peace of mind on tours and sessions: no batteries to monitor and immediate operation as soon as phantom power is enabled.

Technical specifications

Type	instrument preamplifier	Gain	3 dB
Input	6.3 mm female jack	Max. input level	15 dBv
Output	3-pin male XLR (balanced)	Phantom power required	24/48 V
Amplifier	low-noise Class A JFET	Note	24/48 V phantom power required