Avantone CK1
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
Couldn't load pickup availability
Information
Information
Manufacturer Information
Avantone
https://www.avantonepro.com
info@avantonepro.com
------------------------
Safety manager:
Hyperactive Audiotechnik GmbH
Email: info@hyperactive.de
Address:
An Avantone "Modern Classic": The Spirit of the C Series in a Highly Versatile SDC
Originally designed to complement the C Series drum microphones, the Avantone CK-1 embodies the brand's philosophy: offering an accessible, reliable, and high-performance alternative capable of competing with common references in its category. Its finely machined brass body, signature Cabernet Red finish, and nickel accents integrate perfectly with Drum Mic packs while remaining elegant enough for everyday studio use.
Who It's For and What It's For: Overheads, Acoustic Instruments, and Clean Stereo Recordings
The CK-1 targets discerning home studio users, project studios, and live engineers seeking a small-diaphragm microphone capable of capturing the attack, precision, and air of an acoustic source. As drum overheads, it highlights cymbal transients and definition; on upright piano, it helps recover clarity and dynamics; on strings and winds, it favors a clear rendering ideal for dense arrangements. In pairs, it becomes a formidable tool for stereo techniques (XY, ORTF, AB) depending on the capsule chosen and the room acoustics.
Capsules, Filter, and Level Management: A True SDC Toolbox
3 Included Polar Patterns to Adapt to the Room and Source
The CK-1 comes with three interchangeable capsules: cardioid for most close-miking applications and good isolation, hypercardioid to enhance side rejection in challenging conditions (stage, bleed, reverberant rooms), and omnidirectional for a more open image and often more natural low end on certain sources. This versatility allows optimizing capture even before touching EQ.
Built-in High-Pass Filter to Clean Low End Without Altering the Sound
The 80 Hz high-pass filter helps reduce vibrations, proximity rumble, and handling noise. This is especially useful on overheads, acoustic instruments recorded close to a mic stand, or live to limit stage rumble.
Pad and SPL Handling: Comfortable on Powerful Sources
With a maximum SPL of 138 dB when the -10 dB pad is engaged, the CK-1 can handle dynamic sources without saturating too quickly. This opens the door to varied uses, including certain drum elements or percussion, while retaining the typical precision of a small-diaphragm condenser.
Technical specifications
| Category | studio microphone |
| Directivity | omnidirectional, cardioid |
| Connection | XLR |
| Color | Red |
| Included interchangeable capsules | cardioid, hypercardioid, omnidirectional |
| Polar pattern by capsule | cardioid, hypercardioid, and omnidirectional |
| Frequency response | 25 - 20,000 Hz (+/-3 dB) |
| Max SPL | 138 dB with -10 dB attenuation pad |
| High-pass filter | 80 Hz, 6 dB/octave |
| Dimensions | 23 x 153 mm |
Questions frequently asked
Which capsules are provided with the Avantone CK1?
Three interchangeable capsules are included: cardioid, hypercardioid, and omnidirectional. The cardioid capsule favors close miking, while the hypercardioid enhances lateral rejection.
Is this microphone suitable for drum overheads?
Its frequency response from 25 Hz to 20 kHz and the high-pass filter at 80 Hz allow capturing cymbal attacks while reducing vibrations and rumble. The -10 dB pad raises the maximum SPL rating to 138 dB, useful on high-level sources.
Can this microphone be used for stereo recording?
In pairs, it is possible to implement XY, ORTF, or AB techniques depending on the selected capsule and room acoustics.
What connection is needed for the CK1?
Output is through XLR. The body dimensions are 23 x 153 mm.
How does the built-in low-cut filter work?
The high-pass filter is set at 80 Hz with a 6 dB per octave slope. It reduces low-frequency noise related to vibrations, handling noise, or proximity effect. This feature can be useful when recording acoustic instruments or as overheads.
