Boss RV-200
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Manufacturer Information
Boss
https://www.roland.com
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A Modern BOSS Reverb, Heir to a Long "RV" Tradition
For decades, BOSS has been a benchmark when it comes to delivering musical and reliable reverb atmospheres on stage and in the studio. The RV-200 condenses this DNA into the robust and streamlined format of the 200 series: immediate usability, versatile algorithms, and enough memories to cover a full set without relying on a computer. The idea is simple: keep the pleasure of "by-ear" adjustment while offering processing depth and performance tools worthy of much more complex setups.
Who Is the RV-200 For, and In Which Styles Does It Make a Difference?
The BOSS RV-200 is aimed both at guitarists seeking a clean and clear basic reverb (blues, pop, rock, funk, country) and musicians who build true soundscapes (ambient, post-rock, shoegaze, indie, film music). In stereo, it becomes an excellent spatial engine for modern rigs (two amps, audio interface, stereo loop), while in mono it remains easy to integrate on any pedalboard. Thanks to the memories, it is perfectly suited for live situations (quick sound changes) and studio use (preset recalls, session-to-session consistency).
Controls, Memories, and Performance Options
The RV-200 favors quick editing: reverb type selection, Time and Pre-Delay settings to place the space in the mix, effect level via E. Level, and Low/High equalization to shape the reverb without muddying the lows or harshening the highs. The Param knob provides access to extended functions unique to each algorithm, and the Density control (6 steps) allows you to go from an airy sound to a dense "pad"-like wash.
Designed for the stage, it offers Report (spillover) to preserve reverb tails when switching memories or turning off, as well as expressive tools Hold, Warp, and Twist assignable via control pedal. The stereo connectivity includes wet/dry and dry mute options, and the RV-200 accepts advanced external control (footswitch, expression pedal, and MIDI TRS) to operate multiple 200 series pedals within the same rig. Finally, the panel lock prevents accidental changes-a real plus when the pedalboard moves and the stage is dark.
Sound Character
The RV-200 stands out with a clean, wide, and very defined reverb, with a sense of depth that remains clear even on complex chords or fingerpicking parts. The classic modes (Room/Hall/Plate/Spring) add dimension without masking the attack, while the more creative algorithms (Shimmer, Reverse, Gate, +Delay, Modulate, Slowverb, Lo-Fi) open the door to cinematic textures, breathing tails, and "dreamy" atmospheres perfect for intros, interludes, and song endings. The response is dynamic and reactive to playing: lowering the guitar volume or softening the attack makes the reverb more discreet and musical. This approach is found among tone- and nuance-oriented guitarists, and the RV-200 has notably been spotted in setups of artists like Nick Johnston.
Technical specifications
| Effects | Reverb | Type | sector |
| Technology | Digital | Use | electric guitar |
| Format | Pedal | Color | Grey |
| EQ | 2 channels | ||
| Sampling rate | 96 kHz | Weight | 610 g |
| AD/DA conversion | 32 bits | Required power supply | 9V DC (center negative) |
| Processing | 32-bit floating point | Current consumption | 260 mA |
| Memory | 127 + Manual | Estimated battery life (continuous use) | about 4 hours with alkaline batteries (varies depending on actual conditions) |
| Bypass | Buffered Bypass | AC adapter | PSA-S series |
| Inputs | INPUT (A/MONO, B) 6.35mm Jack | Control pedal | FS-5U |
| Outputs | OUTPUT (A/MONO, B) 6.35mm Jack | Dual control pedal | FS-6 / FS-7 |
| CTL 1, 2/EXP | 6.35mm TRS Jack | Expression pedal | FV-500H / FV-500L / EV-30 / Roland EV-5 |
| MIDI | IN, OUT (stereo mini-jack) | TRS/MIDI connection cables | BMIDI series |
| Power supply | DC IN jack | Instrument cables | BIC series |
| USB | USB 2.0 micro B (program updates only) | Pedalboard connection cables | BCK series |
| Dimensions | 101 x 138 x 63 mm | Pedalboard | BCB series |
Questions frequently asked
How many presets are available on the BOSS RV-200?
127 user memories, complemented by a Manual mode, allow quick recall of distinct settings. The spillover Report retains the reverb tails when switching presets or turning off the unit.
Can the pedal be used in stereo?
The connections include two inputs: INPUT A/MONO and B, as well as two outputs: OUTPUT A/MONO and B, all in 6.35 mm jack format. Wet/dry and dry mute options are available for stereo configurations. Mono use remains possible via the A/MONO jacks.
What types of reverb are offered?
The algorithms include Room, Hall, Plate, Spring, Shimmer, Reverse, Gate, +Delay, Modulate, Slowverb, and Lo-Fi. The Density control with 6 levels affects the density of the reverb.
What power supply is required?
A 9 V DC power supply with a negative center delivering 260 mA is required, with compatibility announced for the BOSS PSA-S series adapter.
Can it be controlled via MIDI or an expression pedal?
The MIDI IN/OUT port on a stereo mini-jack allows external control via BMIDI series cables. The CTL 1, 2/EXP input on a 6.35 mm TRS jack accepts especially FS-5U, FS-6, FS-7, FV-500H, FV-500L, EV-30, and Roland EV-5 pedals.



