Crazy Tube Circuits Orama - Fuzz
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Crazy Tube Circuits
https://www.crazytubecircuits.com
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From Orange/Matamp Roots to the "Orama" Vision
True to its name ("vision" in Greek), the Orama condenses the Orange/Matamp aesthetic of the late 60s/early 70s into a modern pedalboard format. It features the chunky, roaring tone associated with historical references heard in Peter Green, Andy Powell, or Noel Gallagher, plus a 90's boutique fuzz character redesigned for more articulation and headroom. The whole covers classic rock crunch to the densest stoner/doom textures, without compromising musicality.Who Is the Orama For?
Designed for intermediate to professional guitarists, the Orama excels in classic rock, heavy rock, grunge, stoner, and doom. In the studio, the AMP section can serve as a main channel directly into a speaker simulator or an interface. On stage, its compact format, top-mounted jacks, and two silent footswitches allow switching from pushed clean tones to massive riffs with one click, with or without fuzz stacking.Controls, Routing, and Innovations
The AMP section, based on a high-voltage JFET circuit, offers gain, F.A.T. to sculpt low-mids, Hz (bass), kHz (treble), H.F.D. for brightness and presence, plus a generous master for preamp/boost roles. The FUZZ section provides fuzz, tone, volume, and two modes RAW/BURN to switch from granular softness to crushing sustain. Between the two, a passive serial loop allows insertion of delays, reverbs, or modulations for perfectly balanced chains.The Sound
The AMP delivers thick low-mids, percussive attack, and exemplary responsiveness to playing dynamics and guitar volume, with "like an amp" harmonic complexity. The F.A.T. control adjusts density while H.F.D. adds brilliance and air without harshness. The FUZZ ranges from a warm veil to a biting, saturated grain, remaining clear even when tuned low. Stacked, the two sections build a singing, controllable wall of sound, ideal for cutting leads, authoritative power chords, and immersive doom landscapes.Technical specifications
| Effects | Fuzz, Preamp, Cabinet Simulator | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Brown |
| EQ | Tone | ||
| Usage | classic British rock sounds and modern stoner/doom textures | Character | gain structure, dynamics, and harmonic richness inspired by the Orange OR120 |
| Operation | FUZZ and AMP sections usable independently or stacked | Recommended Use | amp input, power amp return, to a speaker simulator or audio interface |
| True Bypass | high-quality silent relay switching for each section | Effects Loop | passive serial loop between FUZZ and AMP to insert other pedals |
| Indicators | 2 footswitches and 2 LEDs (one per section) | Connectivity | 6.35 mm jacks mounted on top (in/out) |
| Design | hand-designed and manufactured in Athens, Greece | Bypass/Activation | dedicated footswitch per section, relay-based bypass/activation switching |
| Item Number | Item 71018 | Pedal Dimensions (L x W x H) | 120 x 97 x 49 mm |
| EAN Code | 5214001261512 | Pedal Weight | approx. 423 g |
| Voicing | inspired by a 90's boutique fuzz, optimized for better articulation | Packaging Dimensions | 14.8 x 12.3 x 7.3 cm |
| Controls | fuzz (intensity/saturation), tone (EQ from dark to sharp), volume (output level) | Packaging Weight | approx. 0.52 kg |
| Gain Modes | RAW (vintage character, tighter, reduced gain) / BURN (high gain, long sustain, enhanced lows) | ||
Questions frequently asked
What music styles is the Orama suitable for?
The AMP section targets Orange/Matamp tones from the late 60s and early 70s. It covers classic rock, heavy rock, grunge, stoner, and doom thanks to the F.A.T., Hz, kHz, and H.F.D. controls.
Can the fuzz and preamp be used separately?
The FUZZ and AMP sections each have their own silent footswitch and LED. The fuzz can be activated alone or placed before the AMP section, while a passive series loop allows effects to be inserted between the two sections.
What power supply is required for this pedal?
The pedal requires a 9 V DC center-negative adapter with a 2.1 x 5.5 mm plug, drawing approximately 82 mA.
What connectivity and size does it have on a pedalboard?
The 6.35 mm jack inputs and outputs are located on the top of the enclosure. The packaging measures 14.8 x 12.3 x 7.3 cm and weighs about 0.52 kg.
Can the Orama be used in the studio with an audio interface?
In the studio, the AMP section can function as a main channel to a cabinet simulator or an audio interface. Its JFET circuit benefits from an internal supply voltage raised to approximately 34 V. The master control provides an output level suitable for use as a preamp or boost.



