Crazy Tube Circuits WHITE WHALE V2 Reverb
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Crazy Tube Circuits
https://www.crazytubecircuits.com
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A 'vintage amp' approach from the 60s, designed for the pedalboard
The White Whale V2 is directly inspired by the spring reverbs and tremolos associated with American amps from the 1960s. Crazy Tube Circuits preserves the essential idea of these circuits: a real spring tank and organic behavior, with special attention to dynamics and an "amp-like" feel.
This V2 takes the concept further by improving the power amplifier driving the springs to increase headroom and broaden frequency response. The result: a stronger, more spacious reverb that stays defined when increasing dwell and mix, while retaining the lively and irregular character that makes vintage units charming.
For which guitarist and styles?
The Crazy Tube Circuits White Whale V2 is aimed at guitarists who want an authentic spring reverb (not just a digital simulation) and a classic-inspired tremolo in a single pedal. It suits both intermediate players seeking rootsy tones and advanced players looking for a premium sound foundation for studio or stage.
It excels particularly in surf, blues, vintage rock, country, indie, and any genres where you want to hear the "drip" of springs or a musical tremolo. On a pedalboard, it can serve as the ambient core at the end of the chain, or conversely be placed before certain distortions thanks to the Pre/Post order setting.
Controls, modes, and design: everything to shape your reverb and tremolo
The reverb section offers comprehensive controls: dwell, tone, mix, and volume. The tone control acts after the tank recovery stage and affects only the wet signal: useful for switching from a bright, "drippy" reverb to a softer, smoother ambiance without touching the dry sound. The dwell control adjusts the amount of signal sent into the springs, from a softer response to a more explosive splash.
To vary texture, a switch selects Long/Short/Medium and offers vintage-typed tank behaviors: finer and softer reverbs (2 short or medium springs), a brighter reverb like blackface amps (2 medium or long springs), or a denser response (3 long springs). A dedicated analog circuit also emulates tube and output transformer saturation achieved with high dwell settings.
The tremolo section features controls for speed, depth, and volume, and four signatures: Tube, Opto, Harmonic Hard, and Harmonic Soft. The Tube/Opto/Harm and Harm Hard/Soft switches facilitate switching from a round, smooth tremolo to a more contrasted modulation. The tremolo indicator lights up in time with the tempo, helping to lock the pulse on stage.
Regarding integration, the two effects can operate independently, and the Pre/Post order allows placing the tremolo before or after the reverb, depending on whether you want a more "classic" modulation (tremolo before reverb) or broader, atmospheric waves (tremolo after reverb). There are also expression control functions to manage the reverb mix and tremolo speed, as well as a remote passive bypass option for both effects via a dedicated accessory. The design is announced as true bypass, and a function allows setting the bypass/engage state at startup.
The sound
The White Whale V2 aims for a 3D, granular, and lively spring reverb: you easily get the characteristic bounce, the attacks that "splash," and that slight organic instability that makes you forget you're playing through a pedal. The improved headroom results in a more open reverb that maintains definition when playing hard or using high-output pickups.
The tremolo covers a wide spectrum: from subtle movement that thickens a clean tone to deep, highly expressive pulses. The harmonic modes add a more textured color, ideal for clean parts, arpeggios, and hypnotic rhythms. Finally, the volume boost of the reverb section is a real asset: it compensates for the "pull-back" feeling you can have when increasing the wet mix a lot, allowing the guitar to stay upfront.
Technical specifications
| Effects | Tremolo, Reverb | Type | sector |
| Format | Pedal | Use | electric guitar |
| EQ | Tone | Color | Blue |
| Reverb time | long, short, or medium | Input and output | 6.35mm mono jack |
| 4 tremolo options | Tube, Opto, Harmonic Hard, Harmonic Soft | Footswitch and expression | 6.35mm TRS jack |
| Reverb controls | dwell, tone, mix, volume | Maximum current consumption | 180 mA |
| Tremolo controls | speed, depth, volume | Dimensions (L x W x H) | 172 x 125 x 73 mm |
| Switches | Tube/Opto/Harm, Harm Hard/Soft, Pre/Post, Long/Short/Medium | Weight | 815 g |
| Footswitches | reverb on/off, tremolo on/off | Power supply | not included |
| Expression control functions | reverb mix and tremolo speed (expression/tap pedals not included) | Documentation | included |
Questions frequently asked
Does the White Whale V2 use a spring tank?
The reverb is based on a spring tank, with Long, Short, and Medium modes. The dwell control adjusts the signal sent to the springs. The tone affects only the reverberated signal.
What types of tremolo are available?
The four offered signatures are Tube, Opto, Harmonic Hard, and Harmonic Soft. Speed, depth, and volume each have dedicated controls.
What power supply is required for the Crazy Tube Circuits White Whale V2?
The power supply is not included and the maximum current draw is 180 mA.
Can the order of the tremolo and reverb be changed?
Thanks to the Pre/Post switch, the tremolo can be placed before or after the reverb. Both effects have independent footswitches for activation.
Does the pedal accept an expression pedal?
The enclosure includes a 6.35 mm TRS jack connection for footswitch and expression. The expression control can manage the reverb mix and tremolo speed. The audio inputs and outputs are 6.35 mm mono jacks.



