Dangerous Music DM23 Convert-8

An 8-Channel Version of the CONVERT Philosophy, in the Spirit of the CONVERT-2

The CONVERT-8 continues the uncompromising approach that made the CONVERT series renowned: redesigned development "from scratch," absolute priority on transparency and musicality, with special attention to the clock and conversion stage. While the CONVERT-2 targets reference stereo D/A conversion, the CONVERT-8 applies this standard across 8 channels with studio-oriented connectivity (ADAT, AES on D-Sub, AES Thru) and features adapted for multi-output setups, whether hybrid mixing, analog summing, or surround monitoring.

A Converter Designed for Hybrid Mixing, Analog Summing, and Mastering

The CONVERT-8 is aimed at engineers who want to cleanly output from a DAW to analog equipment (summing, compressors, equalizers, consoles) while maintaining level, phase, and soundstage coherence across 8 outputs. It is also particularly relevant for surround mix/mastering up to 7.1, where inter-channel precision, low crosstalk, and clock stability make a real difference in localization and depth.

Finally, thanks to its compatibility with the remote control functions of the Monitor ST/SR, the CONVERT-8 can integrate into a Dangerous Music monitoring control environment with ergonomic source recall, convenient for quickly switching between different digital streams.

Connectivity, Clock, and Studio Features: A Reference D/A Toolbox

5 Input Formats to Suit Your Studio

The CONVERT-8 offers a range of digital inputs covering common production and post-production needs: USB for direct DAW connection, AES and SPDIF for standard digital links, ADAT for multi-channel systems, as well as Optical SPDIF (Toslink) for optical configurations. The automatic sample rate detection allows seamless switching between projects from 44.1 to 192 kHz.

Very Low Jitter Clock and Solid Stereo Image

At the heart of the CONVERT-8, the very low jitter clock aims for stable and focused conversion, with clean inter-channel separation and a sense of "calm" in the high frequencies. In demanding mixing environments, this stability translates into better transient response, more intelligible reverbs, and a more reliable balance in the low end.

AES Thru and Monitoring: Designed for the Field

The Digital Thru (AES Thru) allows chaining an external device, typically a metering system, without complicating cabling. The signal presence LEDs provide immediate visual feedback, useful in sessions when quickly validating levels and spotting clipping. The result: a converter that not only "sounds great" but also delivers real operational efficiency daily.

Technical specifications

Category	converter	Sampling frequency	192 kHz
Number of channels	8	Rack unit	1

Conversion	Audiophile Mastering D/A Conversion	Digital Input Formats (5)	USB, AES, SPDIF, ADAT, Optical SPDIF (Toslink)
Signal-to-Noise Ratio, A-weighted, 20Hz to 20kHz	< 114dB	Sample Rates	44.1 to 192 kHz
Signal-to-Noise Ratio, unweighted, 20Hz to 20kHz	< 113dB	Automatic Sample Rate Detection	yes
Dynamic Range, A-weighted, 20Hz to 20kHz	< 114dB	High-Definition Reference Monitoring	stereo up to 7.1
Dynamic Range, unweighted, 20Hz to 20kHz	< 113dB	USB Input	direct connection to a DAW
THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu output	< 94.5dB (0.00188%)	Compatible with Monitor ST/SR Remote Control Functions	yes (source selection via remote)
THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu output	< 106.5dB (0.00048%)	Digital Thru	for connecting external metering
Frequency Response at 96kHz, DC to 20kHz	+0, -0.25dB	Connectivity	ADAT input, AES input on D-Sub, AES Thru
Frequency Response at 96kHz, DC to 30kHz	+0, -0.5dB	Signal Presence LEDs	green: -40dB or above, red: 3 consecutive samples clipped
Frequency Response at 96kHz, DC to 40kHz	+0, -1.0dB	Replacement Fuses	USA 2 amp slo-blow for 120V, Europe 1 amp slo-blow for 240V
Jitter	16ps (100Hz to 40kHz), 18ps (100Hz to 1MHz)	Note	Dangerous Music, Inc. publishes its own measurements, not those of chip manufacturers.
Crosstalk Rejection	> 114dBu at 1kHz	JetPLL	JET and Jitter Elimination Technology (technology mentioned by the manufacturer, used under license).