Focusrite Rednet A16r MK2
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Essential Information About the Dante Focusrite RedNet A16R Interface
Essential Information About the Dante Focusrite RedNet A16R Interface
- 16 analog inputs and 16 analog outputs on DB-25 (AES59 standard) for easy integration of studio and broadcast equipment into a Dante network.
- High-end AD/DA conversion up to 24-bit / 192 kHz with a specified dynamic range of 119 dB for clean, detailed, and stable recordings and broadcasts.
- Field-oriented redundancy: dual Dante network (etherCON) and dual internal power supplies on two separate IEC inputs.
- Remote control and monitoring via RedNet Control (Mac/PC) + full front panel display (LED): levels, network, clock, AES/EBU, power supply.
Manufacturer Information
Focusrite
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A RedNet Interface Designed for Studios, Control Rooms, and Dante Installations
The RedNet A16R is part of the Focusrite RedNet family, a range designed around audio-over-IP workflows via Dante. Its 1U rack format in a metal chassis targets both studios with extensive connectivity and audiovisual control rooms and fixed installations where reliability, monitoring, and network distribution are priorities. With 16 analog channels in and 16 out, it positions itself as a central converter to connect consoles, external preamps, summing mixers, hardware processors, and analog patchbays to a Dante environment while maintaining professional wiring logic via DB-25.
Who the RedNet A16R Is For and When to Use It
This interface is aimed at sound engineers, control room managers, integrators, and studios looking to expand an analog I/O setup without multiplying point-to-point connections. In a studio context, the RedNet A16R facilitates the remote placement of analog I/O close to machines (outboard gear, racks, patchbays) while centralizing routing within the network. In live production, broadcast, or audiovisual environments, it meets operational demands thanks to network and power redundancy, front panel status monitoring, and remote management (sample rate, levels, synchronization), which is practical when installed in a technical rack.
Conversion, Synchronization, and Control: A Workflow-Oriented Design
High-Resolution Multichannel Conversion and Calibratable Levels
The RedNet A16R provides analog-to-digital and digital-to-analog conversion up to 24-bit / 192 kHz, with a specified dynamic range of 119 dB and a frequency response of 20 Hz to 20 kHz (+/-0.05 dB). To adapt to various gain standards in studio and broadcast, the analog inputs/outputs can be configured for +18 dBu or +24 dBu. This allows harmonizing levels between broadcast equipment, professional peripherals, and more sensitive processing chains while maintaining a consistent headroom before clipping.
Dante Network, Redundancy, and Operating Modes
Connectivity is based on two Ethernet ports dedicated to the Dante network. This architecture supports a secure topology (redundant network) or daisy-chain distribution depending on the infrastructure. The secure network connectors in etherCON enhance mechanical robustness in rack and production environments. The entire configuration can be remotely controlled to adapt network behavior to site constraints.
Clocking, AES/EBU, and Remote Monitoring
Beyond analog I/O, the RedNet A16R includes one AES/EBU input and one output on XLR3 connectors, useful for interfacing a stereo digital device (converter, processor, player, console). Synchronization can be internal or external via Word Clock (input/output) or DARS to align the entire network on a stable reference and avoid clicks, drift, or unwanted resampling. Sample rate, levels, and I/O status settings are accessible via RedNet Control on Mac or PC, convenient for maintaining a coherent Dante system without physical intervention in the rack.
The front panel features a set of LED indicators providing immediate system readout: sample rate, per-channel input/output levels, network status, and power supply in use. Dedicated indicators also display AES/EBU activity and the selected clock source (internal, Word Clock, DARS), speeding up diagnostics in case of infrastructure changes or reconfiguration.
Technical specifications
| Category | audio network card | Sampling frequency | 192 kHz |
| Number of channels | 16 | Color | Red |
| Resolution | 24-bit / 192 kHz | Configurable analog levels | +18 dBu or +24 dBu |
| Supported sample rates | 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz (adjustable) | Rack format | 19-inch - 1U |
| Dynamic range | 119 dB | Dimensions | 482 x 44 x 327 mm |
| Frequency response | 20 Hz - 20 kHz (+/-0.05 dB) | Weight | 4.53 kg |
Questions frequently asked
Focusrite RedNet A16R MK2: how many analog inputs and outputs are available?
The unit provides 16 analog input channels and 16 analog output channels. The analog connectivity uses DB-25 connectors, suitable for patch bays and professional racks.
Can the RedNet A16R operate on a redundant Dante network?
The two Ethernet etherCON ports allow operation on a redundant Dante network or daisy chaining. This setup can secure an installation in a control room or equipment rack. The network status is indicated by front panel LEDs.
What line levels can be set on this interface?
Each analog input and output can be configured to +18 dBu or +24 dBu. This setting allows level matching with studio or broadcast devices.
How can the RedNet A16R be synchronized with external digital equipment?
Synchronization can be done using the internal clock, via Word Clock or via DARS. A stereo AES/EBU input and output on XLR3 connectors also enable connection to digital equipment.
What audio resolution does the RedNet A16R support?
The conversion reaches 24 bits / 192 kHz, with selectable sample rates from 44.1 to 192 kHz and a specified dynamic range of 119 dB.



