Earthquaker Avalanche Run V2 - Reverb Delay Stereo
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Earthquaker
https://www.earthquakerdevices.com
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A Modern Classic from EarthQuaker Devices
The Avalanche Run has established itself as a "large space" reference at EarthQuaker Devices: a comprehensive ambient pedal combining a rich delay (capable of evoking tape echo colors or more "analog" BBD-style textures via the tone control) and a lush, expansive reverb. It carries the spirit of depth and modulation that has charmed fans of some of the brand's reverbs, here with a broader, stereo approach tailored for exploration.
Who Is It For, and In Which Styles?
This pedal is aimed at guitarists (and more broadly instrumentalists) who want to build soundscapes without multiplying pedals: indie, post-rock, ambient, shoegaze, modern pop, alternative rock, but also blues and rock whenever a musical echo and a "breathing" reverb are sought. Its Tap Tempo and subdivisions make it a very reliable tool in a band setting, while its Reverse and Swell modes open the door to pads, cinematic intros, and inspired transitions.
On a pedalboard, the Avalanche Run excels at the end of the chain (after distortions) to preserve clarity, or in an amplifier effects loop if you're looking for a more "studio" sound. In stereo configuration, it becomes a true sound image engine: ideal with two amps, a two-input audio interface, or a wet/dry setup.
Controls, Modes, and Connectivity: A Pedal Designed to Play
The delay section offers four main controls: Time (0 to just under 2000 ms), Repetitions (from a few repeats to almost infinite), Tone (wide color range, from darker echo to brighter, with a more neutral zone in the center), and D Mix (delay mix, up to fully wet depending on setting). The Tap Tempo is complemented by a ratio selector to choose the rhythmic subdivision (quarter note, dotted eighth, triplets, sixteenth notes, etc.).
The reverb section features a Decay (from short to very cavernous) and an R Mix to place the reverb in your sound, from simple depth to a enveloping pad. A 3-position toggle gives access to Normal, Reverse (reverse delay with standard reverb), and Swell (volume swell effect for faded attacks and "rising" chords) modes.
Practically, the bypass is switchable between true bypass and buffered bypass with trails management (multiple tail lengths, including a "sound on sound" looping mode). The 6.35mm TRS expression input is assignable: you can assign it to a control (Decay, reverb mix, Time, Repetitions, delay mix) or even the toggle, allowing you to change the mode progressively with your foot.
The connectivity allows for mono use (left input and output), stereo use (left and right inputs/outputs), or mono in / stereo out (left input, left and right outputs). Routing tip: by inputting through the right and outputting in stereo, you can get a very "wet"-oriented left channel and a more mixed right channel, handy for spectacular stereo effects on stage or in recording.
The Sound
The Avalanche Run stands out with an immediate sense of depth: the delay maintains clarity, with a tone capable of shifting from a soft, muffled echo to more present repeats, while the reverb delivers a generous "plate" breadth with subtle modulation. The dynamics remain pleasant and musical, with a very inspiring response for open chord playing, singing lead lines, or picking textures. In stereo, the image naturally widens and gives a sense of movement, perfect for thickening a clean tone without weighing it down.
Technical specifications
| Effects | Reverb, Delay | Type | sector |
| Technology | Analog & Digital | Use | electric guitar |
| Format | Pedal | Color | Blue |
| A/D and D/A converters | 24-bit / 96 kHz | Switchable bypass | true bypass or buffered bypass |
| Dry signal path | fully analog | Trails | 5 tail lengths (including a "sound on sound" looping mode) |
| Wet signal path | fully digital | Flexi-Switch technology | latching (on/off) or momentary (active while footswitch is held) mode |
| Frequency response (wet signal) | 20 Hz to 20 kHz | Relay switching | requires power to pass the signal |
| Signal-to-noise ratio | 115 dB (typical) | Dimensions | 118 x 105 x 57 mm (including knobs) |
| Input impedance | 1 Megaohm | Required voltage | 9V DC center-negative |
| Output impedance | 100 ohms | Consumption | 410 mA |
| Delay time | 0 ms to just under 2000 ms | Recommended power supply | 1 A (for best results) |
| Modes via 3-position toggle | Normal, Reverse, Swell | ||
Questions frequently asked
How to connect the Avalanche Run V2 in stereo?
The left/right inputs and outputs allow stereo operation, while a mono input on the left can feed two outputs. Routing via the right input provides a left channel more effect-signal oriented and a right channel more mixed.
What is the maximum delay time and is there a Tap Tempo?
The delay time ranges from 0 ms to just under 2000 ms. The Tap Tempo works with a ratio selector for quarter notes, dotted eighths, triplets, and sixteenths. The Tone control adjusts the color of the repeats, from dark to brighter.
What power supply is required for this pedal?
A 9 V DC center-negative power supply is required, with a current draw of 410 mA and a recommended supply of 1 A.
Can an expression pedal be used with the Avalanche Run V2?
The 6.35 mm TRS expression input can be assigned to Decay, mixes, Time, or Repetitions. It can also be assigned to the mode selector to switch between Normal, Reverse, or Swell on the fly.
What effects do the Reverse and Swell modes offer?
The Reverse mode applies a reversed delay with a standard reverb, while the Swell mode creates softened attacks. The reverb features a Decay from short to very cavernous, and the dry signal path remains fully analog.



