Electrovoice RE 20
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- This item is covered for 3 years
What you need to know
What you need to know
- "FM radio" voice: a sound signature that has become a benchmark for spoken voice, podcasting, and broadcasting.
- Natural and uncolored sound: a clean recording with performance often comparable to a condenser microphone, while retaining the robustness of a dynamic mic.
- Recording comfort: built-in wind and pop filter system + internal suspension to reduce plosives, breath noise, and vibrations.
- Studio versatility: cardioid polar pattern and switchable low-cut filter to adapt the capture to the room and the source.
Manufacturer Information
Electrovoice
https://www.electrovoice.com
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Safety manager:
MSC Distribution
Email: infos@msc-distribution.com
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A Broadcast Classic That Has Also Conquered the Studio
The RE 20 is one of those microphones instantly recognizable by both listeners and sound engineers. Designed to meet the demands of broadcasting, it has established itself over time as a standard for achieving an intelligible, present, and stable voice without unwanted effects that complicate mixing. Within the Electro Voice range, it embodies the "work tool" philosophy: a proven design intended to handle back-to-back takes and sessions with exemplary consistency.
Rather than chasing flattering effects, the RE 20 aims for sonic reliability: it remains consistent from one take to another, which explains its enduring presence on radio, in voice booths, and in numerous studios.
Who Is It For and What Are Its Uses?
The Electro Voice RE 20 broadcast dynamic microphone is aimed at content creators, hosts, streamers, podcasters, and voice actors who want a "ready for broadcast" sound with minimal post-processing. Its highly controlled approach to plosives and breath noise facilitates close-miking, typical of modern spoken voice.
In music production, it is also relevant whenever a solid and controlled capture is sought: sung vocals, brass instruments, guitar or bass amps, and even certain percussion instruments. Its cardioid pattern helps maintain focus on the source, which is practical in home studios or imperfectly treated rooms.
A Capture Designed for Voice, with Built-in Tools to Control the Low End
Built-in Pop Filter and Internal Suspension: Cleaner Takes, Faster
The RE 20 integrates a wind and pop filter system, useful for reducing plosives and air noises without always relying on external accessories. Its internal suspension limits the transmission of vibrations (mic stand, desk, handling), a real advantage in podcasting and voice-over work where close proximity to the microphone is common.
Optimized Frequency Response for Voice + Switchable Low-Cut Filter
Its frequency response is tailored for voice to maintain presence and clarity while keeping the low end controllable. The switchable low-cut filter helps clean up rumble, room vibrations, or excessive bass due to proximity effect, saving mixing time and securing the take right from recording.
A "Clean" Dynamic: Minimal Coloration, Maximum Control
Described as free from sonic coloration, the RE 20 primarily seeks neutrality and stability. This is precisely what makes it effective in broadcasting: the voice remains natural, with consistency that handles equalization and compression well. If you want a serious, intelligible capture that is easy to place in a mix, it is a particularly relevant choice.
Technical specifications
| Category | voice microphone | Capsule | dynamic |
| Directivity | cardioid | Color | Beige |
| Model | Electro Voice RE 20 | Impedance | 150 Ohms |
| Type | broadcast dynamic microphone | Sensitivity at 1 kHz | -57 dB; 1.5 mV/Pa |
| Sound Character | "the sound of FM radio" | Output Connector | 3-pin XLR |
| Sound Rendering | free from any sonic coloration | Includes | clip, threaded adapter, semi-rigid case |
| Performance | similar to a condenser microphone | Optional Accessory | Electro Voice 309A shock mount |
| Polar Pattern | cardioid | Dimensions | 217 x 54 mm diameter |
| Frequency Response (-3 dB) | 45 Hz to 18 kHz | Net Weight | 737 g |
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Customer reviews
What customers say
Summarized and selected by AI from recent customer reviews
A highly-rated dynamic microphone praised for excellent sound quality and versatility. Customers said it's "a classic" that works well for vocals and instruments. Described as having a specific sound that's "thick and refined at the same time." One noted missing user guide. Ideal for studio and broadcast use.
Review highlights
- “Very good quality microphone”
- “Excellent microphone! At ease in many situations.”
- “Versatile. A very specific sound, thick and refined at the same time.”
Based on 8 reviews
- 4 stars, 0 reviews
- 3 stars, 0 reviews
- 2 stars, 0 reviews
- 1 star, 0 reviews
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This range includes dynamic and electrostatic models for the most demanding musicians and sound engineers.
The RE20 and RE27 are references both in the studio and in the broadcast, eliminating all proximity effects.: the sound reproduction remains clear, uniform and of excellent quality whether the use is near or far.
The RE200B, RE410 and RE510 are electrostatic microphones offering an exceptional quality/price ratio:
The RE200B is specially designed for instrument covers (piano and acoustic guitar for example) and is ideal for “over head” use.
The RE410 offers excellent rejection of extraneous sounds as well as maximum acoustic isolation. It is ideal as a singing microphone.
The RE510 is a hypercardioid microphone with a switchable low-cut filter that can be used for singing, backing vocals and acoustic instruments.
specifications:
Connector: 3.3-pin XLR
Diameter (Max) 5.4 mm (2.13")
type: Dynamic
finish: Beige
Frequency response: 45 - 18000 Hz
Impedance: 1.50?
Uses: Voice/Instrument
Directivity: Cardioid
Microphone: Passive
Length: 217 mm
Weight:737 gAutomatically translated
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This range includes dynamic and electrostatic models for the most demanding musicians and sound engineers.
The RE20 and RE27 are references both in the studio and in the broadcast, eliminating all proximity effects.: the sound reproduction remains clear, uniform and of excellent quality whether used near or far away.
The RE200B, RE410 and RE510 are electrostatic microphones offering an exceptional quality/price ratio:
The RE200B is specially designed for instrument covers (piano and acoustic guitar for example) and is ideal for “over head” use.
The RE410 offers excellent rejection of extraneous sounds as well as maximum acoustic isolation. It is ideal as a singing microphone.
The RE510 is a hypercardioid microphone with a switchable low-cut filter that can be used for vocals, backing vocals and acoustic instruments.
specifications:
Connector: 3.3-pin XLR
Diameter (Max) 5.4 mm (2.13")
type: Dynamic
finish: Beige
Frequency response: 45 - 18000 Hz
Impedance: 1.50?
Uses: Voice/Instrument
Directivity: Cardioid
Microphone: Passive
Length: 217 mm
Weight:737 gAutomatically translated
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A classic that does its job very well. Used mostly for vocals at the moment, but guitar amp tests are planned:)
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Multipurpose
To listen to a very specific sound is to adopt it.
Thick and thin at the same time.Automatically translated
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Multipurpose
To listen to a very specific sound is to adopt it.
Thick and thin at the same time.Automatically translated
No reviews match this filter.
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Questions frequently asked
Is the RE 20 suitable for podcasting and streaming?
Its cardioid polar pattern focuses on capturing the voice, while the built-in pop filter reduces breath noises during close-up recording. The internal shock mount limits vibrations from the stand or desk.
Does this dynamic microphone require phantom power?
The description mentions a dynamic capsule and does not indicate any phantom power requirement. Its sensitivity is -57 dB, or 1.5 mV/Pa at 1 kHz.
What is the purpose of the RE 20's low-cut filter?
The switchable low-cut filter helps reduce rumble, room vibrations, and excessive bass from the proximity effect. It assists in controlling the low-frequency range during recording.
Can this microphone be used on a guitar amp or brass instruments?
This model is suitable for vocals, brass instruments, guitar or bass amps, as well as certain percussion. Its stated frequency response ranges from 45 Hz to 18 kHz at -3 dB.
What accessories are supplied with the microphone?
Delivery includes a clip, a threaded adapter, and a semi-rigid case. An Electro Voice 309A shock mount is available as an optional accessory. The microphone measures 217 mm in length by 54 mm in diameter and weighs 737 g.
