Empress Effects Compressor MKII Silver
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Essential Information About the Compressor MKII Pedal
Essential Information About the Compressor MKII Pedal
- 100% Analog FET Compression ultra-transparent, designed for guitar and bass
- "Studio" Level Control: Independent Attack/Release, Mix for parallel compression, 3 ratios (2:1, 4:1, 10:1)
- Precise Measurement at a Glance: dual LED display for input level and gain reduction
- Advanced Sidechain: external insert via 3.5mm TRS Jack + detection high-pass filter (120 Hz / 240 Hz / Off) and centered 500 Hz EQ Tilt "Tone"
Manufacturer Information
Empress Effects
support@empresseffects.com
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From a "Boutique" Compression Pedal (2011) to a MKII Tailored for the Pedalboard
At the launch of the first model in 2011, the idea was already clear: to offer a compression pedal in stompbox format but with settings worthy of a studio compressor, far from the too limited "three-knob" compressors. The Compressor MKII continues this philosophy, going further thanks to feedback from musicians: a format about twice as compact, a more musical Tilt tonal control, and a better-managed sidechain to keep the low end clean, even with aggressive attacks.
Result: a premium pedal, designed to remain simple to adjust daily while offering sufficient precision for demanding players, both live and in recording.
A Compressor for Whom, and in Which Styles?
The Compressor MKII is aimed at guitarists and bassists who want to better control their dynamics without altering the character of their instrument. It suits both intermediate musicians looking for an "always-on" pedal to stabilize their sound and professionals wanting to regain the reflexes of a studio compressor (attack, release, ratios, LED metering).
In funk, it delivers a sharp attack and consistent level for the "chicken picking." In country and blues, it enhances the sustain feel and the uniformity of bends. In rock and metal, the parallel mix and sidechain filter help maintain pick attack impact while avoiding "pumping" on palm mutes. In the studio, it becomes a formidable tool to "anchor" a take, and on stage, it guarantees a constant presence in the mix.
Settings, Modes, and Connectivity: A Decidedly "Studio" Approach
The pedal offers three ratios (2:1 for smooth leveling, 4:1 for more pronounced control, 10:1 approaching limiter behavior). The Attack and Release controls allow fine adjustment of the feel: letting more transients through to keep punch, or smoothing faster for very consistent playing.
The Mix control opens the door to parallel compression: you retain the natural direct signal while adding the density and stability of the compressed signal. The Tone (Tilt EQ centered at 500 Hz) allows brightening or thickening the sound without complex equalization: ideal to adapt compression to a dark guitar or to tame a too-bright bass.
Finally, the sidechain block is particularly complete: a detection high-pass filter (120 Hz or 240 Hz, or off) limits the influence of very low frequencies on compression, and the external sidechain insert via 3.5mm TRS Jack allows going further (processing the detection signal with an EQ, filter, etc.). On stage, the multicolor LED display makes quick and reliable adjustments: you see input level and gain reduction separately, allowing you to adjust "with your eyes" without wasting time.
Sound Signature
The signature of the Compressor MKII is extreme transparency: it tightens dynamics, increases the sustain sensation, and stabilizes the level while respecting the original timbre. The low-end response remains solid, with a bandwidth extending very low, making it particularly relevant on bass (including in low tunings) and on guitars tuned down.
The pedal reacts very well to playing: with subtle settings, you get a discreet "glue" that gives the impression of a better-controlled instrument. With more aggressive settings, it can achieve very tight and modern textures without losing clarity thanks to the HPF sidechain and Mix control. This "pro" approach explains why it is found on many pedalboards, both among players oriented towards clean tones and in heavier rigs, where measurement precision and level stability make the difference.
Technical specifications
| Effects | Compressor | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Grey |
| EQ | Tone | ||
| Compression technology | FET | Distortion | less than 0.1 percent |
| 3 ratios | 2:1, 4:1, 10:1 | Noise | -101 dB |
| Sidechain high-pass filter | 120 Hz / 240 Hz / Off | Headroom | +15 dBu |
| Multicolor LED display | measures input level and gain reduction on two separate meters | Enclosure | die-cast aluminum |
| Option to define startup mode | bypass or active (for "always-on" use) | Dimensions (L x W x H, controls included) | approx. 12.2 x 6.6 x 6.35 cm |
| Input | 6.35mm Jack | Height of enclosure only | approx. 3.81 cm |
| Output | 6.35mm Jack | Weight | approx. 0.45 kg |
| External sidechain insert | Send/Return via 3.5mm TRS Jack | Finishes | sparkling blue or sparkling silver (depending on version) |
| Power input | 2.1mm barrel connector (center negative) | Power supply | not included |
| Input impedance | 1 M? | Required power supply | 9V DC (center negative) |
| Output impedance | 2.2 k? | Consumption | approx. 100 mA |
| Frequency response (at -3 dB) | 20 Hz to 20 kHz | ||
Questions frequently asked
Is the Compressor MKII suitable for bass and low tunings?
Its frequency response ranges from 20 Hz to 20 kHz, preserving the foundation of low frequencies. The sidechain high-pass filter, adjustable to 120 Hz or 240 Hz, limits the influence of low end on compression detection.
What power supply is required for the Empress Effects Compressor MKII Silver?
A 9 V DC power supply with a negative center, via a 2.1 mm barrel connector, is required; consumption is about 100 mA and the power supply is not included.
How does the external sidechain insert work?
A Send/Return insert on a 3.5 mm TRS jack allows separate processing of the detection signal. It is thus possible to insert an equalizer or filter into the sidechain. The internal high-pass filter remains available with Off, 120 Hz, and 240 Hz settings.
What compression settings are available?
Three ratios are offered: 2:1, 4:1, and 10:1. The Attack, Release, and Mix controls allow adjustment of transients, release time, and the amount of parallel compressed signal.
What are the dimensions of this compressor pedal?
The die-cast aluminum enclosure measures approximately 12.2 × 6.6 × 6.35 cm, including controls, and weighs about 0.45 kg. Its height is approximately 3.81 cm without the controls.



