Hal Leonard Firebird Suite - Finale
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Hal Leonard
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Summary of This Score
This set for Concert Band highlights the world of Igor Stravinsky through an arrangement by John Moss, with writing adapted for progressing ensembles. Designed for level 2, this score allows exploration of a rich orchestral style while remaining playable in a school or community setting. The arrangement emphasizes rhythmic precision, attack cohesion, and contrast work-essential elements for achieving a convincing musical performance in a concert band.
Thanks to orchestration tailored for Concert Band, the ensemble can develop balance between sections and control of sonic layers, while working on expressiveness through dynamics and articulations. It is a relevant choice to diversify aesthetics within a repertoire, prepare a public performance, or structure musical progression around a reference work of the classical genre.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Igor Stravinsky | Genre | Classical |
| Arranger | John Moss | Difficulty | 2 |
| Instrumentation | Concert Band | Year of Publication | 2004 |
| Collection | Essential Elements Master Level | ||
Questions frequently asked
What level is required to perform Firebird Suite - Finale in Concert Band?
The indicated difficulty is level 2, with writing designed for developing ensembles. The focus is particularly on rhythmic precision and attack cohesion.
What ensemble is this Stravinsky arrangement intended for?
The instrumentation is intended for Concert Band. The orchestration allows for work on balance between sections and sound layering.
Who arranged the Finale of The Firebird for this score?
The arrangement is by John Moss, based on the music of Igor Stravinsky.
Is this score part of an educational collection?
This edition belongs to the Essential Elements Master Level collection. It was published in 2004.
What musical elements can be worked on with this Finale?
Dynamics and articulations structure the expressiveness work. Contrasts and attacks also serve as interpretative focuses for the wind ensemble. This approach fits within the classical repertoire.



