Jackson Audio Asabi
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
Essential Information About the Jackson Audio Asabi Pedal
Essential Information About the Jackson Audio Asabi Pedal
- Two channels in one: a Modern High Gain distortion inspired by the "JCM800" + an ultra-sensitive and transparent overdrive.
- Replaceable analog saturation modules: change the drive character by swapping a true analog circuit, not a preset.
- 4 clipping voicings per channel (diodes) accessible via long press, with harmonized volume to maintain a constant level.
- Advanced control: 3-band active Baxandall-style EQ, Gain Cycle function, and MIDI control of key parameters.
Manufacturer Information
Jackson Audio
https://www.jackson.audio
support@jacksonaudio.zohodesk.com
------------------------
Safety manager:
Filling Distribution
Email:
Address:
A Modern Signature: Mateus Asato's Asabi and the Idea of Analog Modules
Designed as Mateus Asato's signature pedal, the Jackson Audio Asabi was conceived to cover a wide range: from expressive crunch to powerful saturation, without losing musicality or precision. Its name, "Asabi," evokes an "unusual birth" and reflects the intention behind this model: to offer a gain pedal that breaks the usual mold.
Its most striking feature is its architecture based on replaceable analog saturation modules. The idea is not to install sounds via software but to be able to replace the saturation circuit with another module (complete analog components: op-amps, transistors, diodes, resistors, capacitors). The result: the pedal can evolve with your rig and tastes while maintaining the feel and response of a true analog drive.
Who It's For and What It's For: From Studio to Stage Pedalboard
The Asabi is aimed at guitarists who want a "central" drive pedal on their pedalboard: a coherent sonic foundation capable of moving from subtle overdrive to assertive distortion, and quickly adapting to a guitar, amp, or venue. It suits both intermediate players and more demanding musicians thanks to its precise settings and control logic designed for real playing.
In terms of styles, it shines in modern blues, rock, hard rock, and current high gain genres, while remaining usable in cleaner "push" contexts for pop, funk, or worship. In the studio, the active EQ helps position the guitar in the mix; live, the diode voicings and MIDI enable quick changes without multiplying pedals.
Technical specifications
| Effects | Distortion, Overdrive | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Black |
| EQ | 3 channels | ||
You will also like
Universal Audio
UAFX Dream '65 Reverb Amplifier
Jhs Pedals
Colour Box V2 - 10 Year Anniversary
Gamechanger Audio
Plasma Coil
Universal Audio
UAFX Enigmatic 82 Overdrive Special Amp
Earthquaker
ZEQD-Pre Tube Preamp
DSM & Humboldt
Simplifier X
Universal Audio
UAFX Lion '68 Super Lead Amp
Universal Audio
UAFX Knuckles '92 Rev F Dual Rec Amplifier
Questions frequently asked
Is the Jackson Audio Asabi suitable for hard rock and high gain sounds?
The included Modern High Gain module is inspired by the Marshall JCM800 and offers saturation ranging from 80s hard rock to modern high gain tones. The Distortion channel features four clipping voicings, including symmetrical and asymmetrical modes.
How does the 4-level Gain Cycle work?
Pressing both footswitches simultaneously cycles through four gain levels, defined starting from the maximum position of the Gain knob. The Drive LED intensity indicates the active level.
What EQ is available on the distortion channel?
The active 3-band EQ provides up to ±20 dB on bass, mid, and treble frequencies, with a neutral position at noon. The mid frequency centers around 660 Hz. It allows precise adjustment of the guitar's presence according to the amp or mix.
Are the Asabi's saturation circuits replaceable?
This pedal uses replaceable analog saturation modules, composed notably of op-amps, transistors, diodes, resistors, and capacitors. The original installed module is the Modern High Gain.
Can MIDI control both drive channels?
MIDI can control the activation of the Overdrive and Distortion channels, their clipping presets, the Gain Cycle, and the EQ.
