Leduc Dutilleux Henri - Les Citations (version 2010) - Conducteur
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Essential Information About This Score
Essential Information About This Score
- A refined chamber music work, constructed as a play of resonances between different eras and styles.
- Rare and colorful instrumentation : oboe, harpsichord, double bass, and percussion, for a sound palette that is both precise and sensual.
- Use of quotation : musical fragments and nods (Britten, Janequin, Jehan Alain, Dutilleux) woven with great subtlety.
- Clear historical context : composed in 1991, then revised by the composer for a new version premiered in June 2010.
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Summary of This Score
"Books talk to each other": Umberto Eco's phrase could perfectly define the spirit of Les Citations by Henri Dutilleux (1916-2013). Conceived as a conversation between works, memories, and sonic signatures, this score stages a highly refined dialogue where each allusion becomes musical material, timbre, breath, and dramaturgy.
Written in 1991, the work was later reworked by Dutilleux for the Auvers-sur-Oise Festival, where the new version premiered in June 2010. This evolution highlights the composer's meticulous attention to the balance of sound layers, clarity of transitions, and sensuality of instrumental colors, within an ensemble as atypical as it is expressive.
The piece's origin dates back to For Aldeburgh 85, a tribute linked to the 75th birthday of tenor Peter Pears. Dutilleux invokes a fragment from Britten's Peter Grimes, an iconic role written for Pears, then enriches the journey with a movement titled From Janequin to Jehan Alain. Here one hears a song attributed to Renaissance composer Clément Janequin, "L'espoir que j'ay d'acquerir vostre grace," taken up by Jehan Alain in his Variations for Organ on a theme by Janequin.
The connection between these worlds is made through an Interlude introducing the motif of the "wolf's moan," borrowed from the ballet Le Loup (1953), composed by Dutilleux for Roland Petit's company. From these intertwined threads emerges a sparkling work where quotation is never decorative: it becomes language, memory, and poetic tension, carried by a play of shadows and lights of rare elegance.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Henri Dutilleux | Genre | chamber music, contemporary music |
| Instrumentation | oboe, harpsichord, double bass, percussion | ||
Questions frequently asked
Is this edition of Les Citations a conductor's score?
The indicated edition is a conductor's score of Les Citations in its 2010 version.
What is the instrumentation of Les Citations by Henri Dutilleux?
The instrumentation includes oboe, harpsichord, double bass, and percussion. This chamber ensemble highlights contrasts in timbre.
Which 2010 version is offered in this conductor's score?
This version reflects the work carried out by Henri Dutilleux for the Auvers-sur-Oise Festival. It was premiered in June 2010. The work was originally composed in 1991.
Which works are cited in Les Citations?
The musical journey references Peter Grimes by Benjamin Britten and a song attributed to Clément Janequin, taken up by Jehan Alain in his Variations for organ. An Interlude also introduces the motif of the "wolf's lament" from the ballet Le Loup, composed in 1953.
Les Citations by Dutilleux: what musical genre?
Classified as classical music, this score belongs to chamber music and contemporary music.



