Lemoine Murail - Un Sogno - Ensemble et Électronique
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Lemoine
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Hexamusic
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Summary of this score
This score is part of a reflection on sound material and the organization of timbre as a structuring element. Tristan Murail revisits his artistic encounter with Giacinto Scelsi and a "convergence" rather than a direct influence: the attention paid to the sound phenomenon, its micro-variations, and how color becomes a driving force of form. Within the framework of the "Giacinto Scelsi revisited" project, the composer takes as a starting point a sketch recorded by Scelsi on tape, made with early synthesizers, then transforms it into a work for instrumental ensemble accompanied by electronics.
Murail's work seeks to preserve a certain simplicity of the original material while embedding it in a finely articulated contemporary writing. This approach highlights the fusion of attacks, the continuity of sound, spectral transformations, and the listening to resonances, with particular attention to balances and transitions. The premiere was performed by Klangforum Wien under the direction of Emilio Pomarico in Witten, during the Wittener Tage für neue Kammermusik.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Tristan Murail | Genre | contemporary score (chamber music) |
| Instrumentation | instrumental ensemble and electronics | ||
Questions frequently asked
What instrumentation is planned for Un Sogno by Tristan Murail?
The score is designed for an instrumental ensemble accompanied by electronics.
Is this score part of contemporary spectral music?
Tristan Murail's writing emphasizes spectrum transformations, resonances, and micro-variations of the sound phenomenon. Timbre constitutes a structural element of the musical form.
What is the origin of the musical material of Un Sogno?
The work takes as its starting point a sketch recorded on tape by Giacinto Scelsi with early synthesizers. This material is transformed for the ensemble and electronics.
Was Un Sogno premiered by Klangforum Wien?
The premiere was performed by Klangforum Wien under the direction of Emilio Pomarico. It took place in Witten, as part of the Wittener Tage für neue Kammermusik.
What sonic aspects are explored in this work by Murail?
The score develops the fusion of attacks and the continuity of sound. The balance between the instrumental ensemble and electronics, as well as the color transitions, contribute to its organization.
