Lewitt DTP 340 Rex

A proximity microphone designed for percussion and the low end

The Lewitt DTP 340 REX follows the logic of stage and studio microphones designed for instruments with strong low-frequency content. Its approach emphasizes bass clarity, resistance to high sound levels, and a cardioid directivity oriented toward "close miking": you get a solid, usable sound that is easier to integrate into a mix, whether for a modern kick drum, a massive floor tom, or a bass amp with character. Its design also aims to limit rear wave pickup to better isolate the source in noisy environments (stage, rehearsals, booth).

Who is it for and what are its uses?

The DTP 340 REX is intended for drummers, sound engineers, stage technicians, and home studio users looking for a cardioid dynamic microphone especially comfortable with low-frequency sources. On a kick drum, it allows you to capture both the "body" and the attack, depending on placement and the chosen response mode. On a bass amp, it facilitates close and consistent miking, useful for doubling a DI track or preserving the speaker's character. Its integrated articulated clamp is a real asset when you need to set up quickly, finely adjust the angle, or replicate the same placement from one session to another.

Two response curves to adapt the microphone to the context

The special feature of the Lewitt DTP 340 REX is its two switchable response curves on the side of the microphone. This option allows you to adjust the sound without changing microphones or adding processing, a direct advantage in both live and recording situations.

Linear mode: a natural and faithful sound

The linear mode favors a more authentic reproduction of the source. It is suitable when you want to capture the instrument's true character (more organic kick drum timbre, present low mids, or a more "true" bass amp sound), or when you prefer to shape the sound later with your console's EQ, preamp, or plug-ins.

EFR "Enhanced Frequency Response" mode: more punch and definition

The EFR mode is designed to quickly achieve a punchy result. It emphasizes frequency areas around 70 and 150 Hz as well as 3 and 5 kHz. In practice, this can help reinforce the low-end foundation while highlighting attack and detail, resulting in a kick drum that is punchier and more audible in a dense mix. It is also useful if you want immediate presence without heavily boosting EQ.

Cardioid directivity: cleaner capture on stage

With its cardioid directivity, the DTP 340 REX favors front pickup and reduces unwanted sounds from the rear. This helps limit bleed (cymbals, snare, monitors) and gain control, especially when sources are close to each other. Combined with careful placement, this behavior facilitates obtaining a clearer and more usable bass in the mix.

Integrated articulated clamp: placement precision and reliability

The microphone includes an articulated clamp that simplifies installation and mic positioning. You can quickly orient the capsule toward the desired area (center of the drumhead, edge, vent, speaker axis) and fine-tune the angle to balance attack, warmth, and isolation. This robust design is also reassuring for setups where the microphone is subject to stress, especially around a kick drum or in front of a cabinet.

Technical specifications

Frequency response	20 Hz - 16 kHz	Capsule	dynamic
Category	wired microphone	Color	Black
Directivity	cardioid

Type	dynamic microphone	Connector	3-pin gold-plated corrosion-resistant XLR
Sensitivity	0.5 mV / Pa (+69 dBV)	Dimensions	71 x 158 mm (Diameter x Length)
Impedance	less than 500 Ohms	Weight	740 g