Morley Power Wah Fuzz Cliff Burton Tribute
Estimated Shipping Widget will be displayed here!
- This item is covered for 3 years
What you need to know
What you need to know
- Wah + Fuzz in a single pedal to capture the spirit of iconic bass solos in the style of Cliff Burton
- Morley "switchless" activation : step on to activate, lift your foot to return to bypass
- Optical Wah : smooth sweep, no potentiometer noise, ideal for live and studio use
- Wah boost up to 15 dB to make your leads and harmonics cut through the mix
Manufacturer Information
Morley
https://www.morleyproducts.com
service@morleyproducts.com
------------------------
Safety manager:
Mogar Music France
Email: info@mogarmusic.fr
Address:
A Tribute to a Legendary Circuit at the Heart of Cliff Burton's Sound
Even before the Wah effect became a staple on modern pedalboards, Cliff Burton made history by using it as a true expressive instrument on bass. The Morley Power Wah Fuzz established itself as one of his secret weapons thanks to a very wide sweep and an immediately recognizable sonic personality. With this tribute reissue, Morley brings back the spirit of this iconic setup: an expressive-travel Wah effect combined with a "torn speaker" fuzz grain that turns every note into a harmonic scream.
The "Distressed Chrome" finish is directly inspired by the "battle worn" look of touring pedals: an aesthetic detail, but also a way to embrace the pedal's purpose-to be played loud, often, and without mercy. Add to that phosphorescent markings designed for dark stage environments, and you get a signature pedal that is both faithful to an era and suited to today's demands.
Who Is It For? Bassists (and Guitarists) Seeking Character and Impact
The Morley Power Wah Fuzz Cliff Burton is primarily aimed at rock and metal bassists looking for an expressive effect capable of turning a riff into a solo or adding an aggressive, singing voice to a riff. It excels in thrash, heavy, stoner, hard rock, and broadly any style that demands bite and a pronounced midrange presence.
It also suits guitarists who enjoy vintage-tinged fuzz textures, saturated leads that "bleed" just enough, or dramatic Wah passages. In live contexts, the switchless activation changes the game: quick Wah hits, punctuations, and transitions are possible without complicated foot choreography. In the studio, it's an ideal color box to double a line, dirty up a synth, or give a take a distinctive identity.
Controls, Ergonomics, and Design: Built for the Stage
The concept is simple and effective: a Wah section with level control (up to 15 dB) to compensate for the filter effect or, conversely, to push your signal forward during solos. The fuzz section offers a deliberately rough character, with dedicated controls to adjust saturation intensity and volume, allowing you to shift from a gritty grain to a thicker, more sustained mass. Depending on the settings, you can sculpt a fuzz that's more "old school" or tighter, while preserving your instrument's attack.
Morley's strong point is the feel underfoot: the switchless activation is natural, fast, and especially comfortable in real playing situations. The optical control circuit contributes to reliability and sweep consistency while avoiding the typical noise associated with potentiometer systems. An integrated buffer preserves clarity and attack, useful if you use long cables or a crowded pedalboard.
Sound
Expect a pedal that doesn't aim for neutrality: here, the goal is a signature sound. The Wah offers a wide, vocal sweep with a response that highlights harmonics and gives the impression of "speaking" with the instrument. The level boost makes it punchy without disappearing in the mix, particularly useful on bass where you want presence without losing the fundamental.
The fuzz is intentionally grainy and organic, with a texture reminiscent of a speaker pushed to its limits. It can sound aggressive, almost abrasive, but remains excellent for bringing out harmonics, thickening a line, or achieving a nervous sustain. This precise Wah + Fuzz combination contributed to Cliff Burton's iconic sound, and this reissue preserves that approach: character, dynamics, and a true identity.
Technical specifications
| Effects | Wah, Volume / Expression, Fuzz, Boost | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Grey |
| Combined pedal | Wah + Fuzz | Output | 6.35mm Jack |
| Switchless activation | engage by stepping on, bypass when lifted | 9V battery | not included |
| Morley optical circuit | eliminates noise caused by potentiometer wear | Power adapter | not included |
| Wah | volume control up to 15 dB | Required power supply | 9V DC, center negative |
| Fuzz | torn speaker sound emulation, intensity and volume controls | Current draw | 14 mA |
| Instrument input | 6.35mm Jack | Recommended adapter | 300 mA regulated (for stable operating margin) |
Questions frequently asked
Is the Morley Power Wah Fuzz Cliff Burton Tribute suitable for bass?
Designed primarily for rock and metal bassists, this pedal combines a wide sweep Wah with a gritty fuzz. Its Wah level control can reach +15 dB to enhance presence in the mix.
How does the switchless activation of this Wah work?
The effect engages when the foot is placed on the pedal and goes into bypass when released, with no switch to operate. The Morley optical circuit avoids noise associated with potentiometer wear.
What kind of fuzz sound does this pedal offer?
The fuzz section emulates a torn speaker sound, with intensity and volume controls. The resulting tone is rough, emphasizing harmonics and delivering a punchy sustain.
What power supply is required for the Power Wah Fuzz?
A 9 V DC power supply with center negative polarity is required, with a stated current draw of 14 mA. No power adapter is included. A regulated 300 mA adapter is recommended to maintain stable operating margin.
Can it be used with an electric guitar?
This pedal can be integrated into an electric guitar setup via its 6.35 mm jack input and output. The expressive Wah and vintage fuzz suit both saturated leads and more dramatic passages.



