T-rex SoulMate Acoustic - Multi-effects

Essential Information About the T-Rex SoulMate Acoustic Multi-Effects

• All-in-one acoustic toolbox: preamp, advanced EQ, essential effects, tuner, and looper combined in a single pedalboard.


• Optimized for acoustic instruments: selectable input impedance and phase settings to adapt to the most common pickups and sensors.


• Stage-ready: stereo 6.35mm Jack and stereo XLR outputs, with ground lift to reduce ground noise in live setups.


• Solo playing made easy: built-in looper with up to 5.8 minutes and control possible via expression pedal (volume and shimmer).

A pedal designed as a "control center" for acoustic guitar

The SoulMate Acoustic fits the idea of a pedalboard dedicated to acoustics: enhancing the sound without masking the wood, attack, and dynamics. Where a traditional pedal chain can quickly become cumbersome (DI, EQ, anti-feedback, reverb, delay...), this multi-effects gathers the truly useful tools for acoustic guitarists who switch between rehearsals, studio, and stage.

Its approach is that of a "toolbox": a preamp to provide foundation and level, fine EQ to tame a too bright room (or conversely too dull), and effects calibrated to expand the sound rather than transform it.

For which musicians and contexts?

The T-Rex SoulMate Acoustic targets guitarists and acoustic instrumentalists who want a clean, stable, and reproducible sound: solo singer-songwriters, acoustic duos, pop/rock bands, worship groups, or vocal accompaniment where balance and intelligibility are key. On stage, it simplifies life when quickly switching from a rhythmic sound to a broader arpeggio passage, while maintaining control over overall volume and feedback risk.

It is also very suitable for home studios: stereo outputs, looper for building layers, and effects (modulation, delay, reverb) that add depth without requiring a complex plugin chain. The pedalboard format remains intuitive for musicians who prefer turning a knob rather than navigating menus.

Controls, effects, and functions: everything needed, in the right place

The SoulMate Acoustic combines a complete processing section and stage-tailored functions. It features a compressor to smooth dynamic variations (ideal for strumming), modulation to thicken a subtle chorus, a 3-band parametric EQ to precisely sculpt the spectrum, and a delay with tap tempo to sync repeats to the song's tempo. For ambiance, the reverb includes a shimmer color to add airy brightness, and a boost to stand out during solos or fingerstyle passages.

To manage typical amplified acoustic issues, the pedalboard includes an anti-feedback function (automatic feedback suppression) and a phase adjustment useful depending on the guitar, room, and speaker positioning. Finally, the chromatic tuner and looper make the SoulMate Acoustic particularly coherent as a pedalboard "hub": fewer cables, fewer failure points, more time to play.

Sound Character

The SoulMate Acoustic's character favors a natural reproduction: it aims to preserve pick attack, pickup grain, and instrument resonance, while providing just enough control to fit into a mix. Compression can range from a simple, very musical "tightening" to a more pronounced sustain for picking, while the EQ can tame an aggressive midrange bump or restore body when the direct sound lacks foundation.

Ambience effects are designed for acoustics: a clean delay to provide space without muddying the playing, and a reverb that ranges from subtle depth to more modern pads via the shimmer. For musicians layering parts, the looper quickly becomes an arrangement tool: intro with chords, rhythmic palm-muting, then melody on top, with very low latency announced to preserve playing feel.

Notable artist using this model: Baris Ertunc.

Technical specifications

Effects	Reverb, Delay, Tuner Pedal, Looper / Sampler, EQ, Boost, Compressor, Chorus	Type	sector
Technology	Digital	Use	electric guitar
Format	Pedalboard	Color	Black
EQ	3 channels

Processor	24-bit / 48 kHz	Input impedance	1 M Ohm / 10 M Ohm (selectable)
Latency	1 ms	Output impedance	330 Ohm (XLR), 1.5 k Ohm (6.35mm Jack)
Looper	24-bit, internal processing 32-bit	Instrument input	6.35mm Jack
Looper recording time	up to 5.8 minutes	Expression pedal input	exp. volume
Max input signal	3.5 V p-p	Outputs	6.35mm Jack L/R (stereo)