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Sphere DLX

Sphere DLX

Regular price 1.419,00 €VAT incl.
0,07 € Ecotax included
Sale price
0,07 € Ecotax included
Regular price Reference price

The Flagship of UA's Sphere Series


Heir to the Sphere modeling microphone concept, the UA Sphere DLX stands as the premium model of the family. It expands the range of models and maintains the philosophy "one microphone, a multitude of characters," with premium build quality and one of the lowest noise levels in its category.

Intended Uses and Users


Designed for modern studios, creators, podcasters, and sound engineers, the Sphere DLX covers vocals, guitars, pianos, strings, overheads, and percussion. Its native stereo capture and Dual Mode make it a formidable asset for snare drums, guitar cabinets, and ensemble recordings, while remaining ultra-flexible for voice-over and broadcast.

Studio-Oriented Features and Workflow


Iconic Real-Time Modeling


Choose the ideal sonic signature without changing microphones. Models can be pre-listened to in any DAW, and with an Apollo you benefit from an almost real-time experience to make faster decisions during sessions.

Creative Stereo and "Dual Mode"


Thanks to the two capsules, capture a natural stereo image with a single microphone, or blend two different models left and right. In Dual Mode, combine two complementary mono characters for impactful takes.

IsoSphere: Control the Room


Reduce environmental coloration or popular reflector effects via dedicated presets. Result: cleaner, more consistent takes, even in untreated spaces.

Durable Design and Complete Bundle


Two gold-sputtered diaphragms, tight tolerances, and low self-noise ensure faithful recordings for years. Suspension, 7.6 m cable, mount, and hard case are included to get started immediately.

Technical specifications

Frequency response - start20 HzCapsuleLarge Diaphragm
Frequency response - end20 kHzConnectionXLR
Categorystudio microphoneColorBlack
Directivitycardioid
Microphone typeElectrostatic modeling (large diaphragm)Connector5-pin male XLR
Frequency range20 Hz - 20 kHzPhantom power required48 V DC, 5 mA (standard)
Sensitivity-33 dB (22 mV) ref 1 V at 1 Pa, 1 kHzAdjustable controls10 dB, 20 dB attenuator
Maximum SPL140 dB SPL, 1% THD (with attenuator)IncludedSuspension, microphone stand mount, 7.6 m cable, hard case
Dynamic range133 dBDimensions225 x 63 mm
Output impedance200 OhmsWeight770 g
Recommended load impedance> 1 K Ohms

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

Highly versatile microphone with exceptional modeling capabilities. Customers praised its "impressive" quality and "infinite possibilities" for mic combinations. The software allows post-recording adjustments of patterns, proximity, and filters. Effective for vocals, percussion, guitars, and drums. Some initially skeptical customers became "completely convinced" after use.

Review highlights

  • “Incredible microphone, infinite possibilities for mic combinations!”
  • “Just impressive! Meets my expectations!”
  • “High quality microphone.”

Based on 5 reviews

  • 5 stars, 4 reviews
  • 4 stars, 1 review
  • 3 stars, 0 reviews
  • 2 stars, 0 reviews
  • 1 star, 0 reviews

  1. Client

    Initially very skeptical about the “advantages” of the microphone description.
    When we praise the perfect similarity between the DLX and legendary microphones like the U87 and other L12s there is reason to doubt.
    I must admit that it is quite impressive indeed and the software that allows you to modify the “cardioicity”, the axis, the filters, the proximity and even the microphone model (s) and other parameters, after recording, is simply huge!!!
    purists will still cry foul about modeling and other “digital stuff” but hey, all studios now use digital consoles, effects emulations and so on.
    The practical, effective and ultimately inexpensive side of modeling devices no longer needs to be proven today.
    With the DLX I recorded vocals, percussion, acoustic guitars, cello, and drum overheads, and frankly, it's incredibly awesome.
    It's a budget that's for sure but you must have such a tool in your home studio and even in a pro studio.
    without effects or EQ we can already post recording through the app almost already “calibrate” the socket in the mix.
    I doubted the capabilities of the microphone, I am now completely convinced.
    I still recommend studying the software well to get the most out of it.
    having prior knowledge of microphones is not essential but preferable.
    And last thing for those who hesitate between the cheaper LX, and the DLX, take the DLX for its stereo sockets, it's a major asset for drum overheads or acoustic guitars, and so on.
    not being able to record in stereo with the LX can be frustrating in the long run.
    I end by saying that this mic is exceptionally effective, and I recommend it to anyone who has home studios and more.
    That's it, hoping that my humble opinion can help you or guide you in your decision to make this purchase.

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  2. fx

    Very versatile microphone that allows you to work on the jacks in detail. Super useful in a studio that does not have a large pool of microphones

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  3. Magued H.

    High quality mic I am waiting for several more weeks of use.

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  4. Fabien F.

    Incredible microphone, endless possibilities of microphone combinations!

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  5. Jean-Louis T.

    Just impressive! Living up to my expectations!

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